Writer's Blog: Tips and Inspiration

Two of Coins, Your Book Coach

May 17, 2023

When Ella called, upset that daily life was eating up her writing time, I knew just where to look for advice. “If tarot’s Two of Coins were your book coach,” I said, “she’d show you just how to keep all your priorities in play.”

The Two of Coins (aka the Two of Pentacles) has made multitasking a fine art! She juggles resources, makes time for multiple projects, and just generally finds balance amid her myriad obligations. Bottom line? There are only so many hours in the day, and it’s up to her to make the most of each.

So much to do!

As a book writer, Ella, like so many of us, struggles to make her time s-t-r-e-t-c-h. She’d like to work on her novel, sure. But she’d also like to help her daughter with her science homework, take the dog for a run, cook something nutritious for dinner, clean the bathroom—and finish the dratted report her boss tossed on her desk at the last minute!

Can she—or you, or me!—get it all done? Maybe? On a good day, perhaps. But the truth is that for many of us, a busy day shoves our writing to the curb.

Book coaching for busy folks

Out of necessity—life!!—the Two of Coins has developed five writing coaching strategies for herself. She uses them to keep her life in balance and get her novel done! These strategies can help you keep your book project alive and spinning with all the other plates you’ve got in the air.

That’s why, if you find yourself in a similar pinch as Ella, I recommend hiring the Two of Coins as your book coach!

Strategies for book writers

1) First things first: When the Two of Coins gets up each morning, the first thing she does is grab her tablet and jam out 250 words on her novel. These are not (necessarily) good words. She might try out a bit of dialogue or describe a scene. But good or not, these words set her brain to thinking about her novel for the rest of the day!

2) Catch as catch can: My admirable client Jessica works on her novel in the pick-up line at her kids’ school. A couple of times a week, she grabs a half hour when all four kids are doing homework to add another scene or two. Be like Jessica. She makes steady progress in the spaces in-between.

3) Make a date: Find a critique partner whose life is as busy as yours. Meet monthly to exchange pages—and complain about how little time you have to write! This strategy, based on accountability and camaraderie, will give you both someone who cares that you are writing and who sympathizes with how hard you worked to get that writing done.

4) Buy or barter time: If you have kids—or an aged parent, or dogs, or a yard that needs mowing—could you hire a neighbor to help? Or exchange your skills for their time? If some neighborly support buys you even an hour or two a week for writing, you are the big winner.

5) Keep a book diary: End your day by jotting down notes about your book. Maybe you had a thought about plot or structure during your busy day. Or maybe your morning writing gave you a jumping-off place for tomorrow. Spend ten minutes before lights out noting your progress—and where you want to go next.

The Two of Coins, your book coach, gives you a high five—and says, “Keep going!”

Once you get the hang of prioritizing your book, you’ll discover your own strategies to help you get ‘er done. Keeping in mind that the best lives are full to the brim with family, friends, and good creative work, we can always rely on the Two of Coins’ book coaching to show us how to get it all done.

Would you like some insight from a top book coach?

As a professional book coach, I’ve helped many writers create a workable life/writing balance. Maybe I can help you! Schedule your free consultation.and take a peek at the article “Should I Hire a Writing Coach” in THE WRITER magazine.

The beautiful image of the Two of Pentacles comes from THE MODERN WITCH TAROT DECK, published by Sterling Ethos.

King of Cups, Your Writing Coach

May 16, 2023

If Tarot’s King of Cups were your writing coach, he’d teach you to calm the troubled waters of your writing life. He rules a kingdom that is entirely fluid and in motion—and he’s had to learn how to maneuver in its emotional depths. It took him some time, but the King of Cups has matured into a person who can acknowledge his feelings without being overbalanced by them. And this is his gift to you.

You see, it’s his kingdom—of water and creativity and the unconscious—from which our dreams and our writing emerge. But when we enter his world, we must be prepared. Our writing can take us far from known shores. It can bring us into waters so deep we get the bends. But, whether we are writing memoir or fiction, those depths are where we are most likely to find pearls of great worth.

Writing coaching advice from the King of Cups: “B” is for “ballast”

So how do we make the best use of the King of Cups’ advice? Take on ballast! “Ballast” is defined as something that gives stability—certainly helpful when we’re about to tug on our scuba gear and slip backwards into the wild waters of our creativity.

One way to stabilize ourselves is to take on a daily writing practice. Our writing practice might look like Julia Cameron’s Morning Pages or Natalie Goldberg’s writing practice. We might use a journaling app or keep a quiet blog. However we choose to do it, writing daily can keep our ship steady as we navigate difficult shipping lanes.

The King of Cups might also suggest we have regular conversations on dry land. We can meet with other writers, sharing advice as well as telling harrowing tales of the tsunamis we’ve survived! We might also seek out a counselor or a 12-step or other supportive group. Sharing our experiences with others can help us find balance while we’re deeply engaged creating an imagined or remembered life on the page.

From his sea-tossed throne, our writing coach the King of Cups reminds us that the more we commit to our literary work, the more likely we are to be pitched about by internal squalls. He’d like us to prepare for those squalls—by having plenty of ballast at hand.

Would you like to discuss your writing process with a top writing coach?

I’ve worked with many deep-diving writers. I’d love to hear about your work and see if I can help. I invite you to schedule a free consultation. You might also read “Should I Hire a Writing Coach” in THE WRITER magazine.

Thanks to U.S. Games Systems, Inc. for kind permission to use the image of the King of Cups from the DREAMING WAY TAROT.

Tarot Writing Coach: Four of Coins

May 15, 2023

Tarot writing coach? What?! Why?! Although I’m a professional writing coach, I still need the occasional new insight—for myself and my clients. I’ve found tarot’s 78 intriguing images can definitely inspire us! When writers need an out-of-the-box solution, tarot can act as a writing coach and help them find fresh ideas.

Tarot writing coach to the rescue!

For instance, when my memoir writing client Jeanine wondered why she wasn’t getting more traffic on her blog—which houses lovely vignettes from her life—we consulted the cards to see if they might offer an angle we hadn’t considered.

Although Jeanine was in the early stages of her book-writing process, she knew she intended to publish her memoir. So, building a base of engaged readers was important for her. That was why she’d started her blog. But it wasn’t garnering the interest she’d hoped it would.

Looking for further ideas, we drew the Four of Coins from the Anna.K Tarot. This card reframed Jeanine’s issue perfectly! Using the image as a metaphor for Jeanine’s situation, we saw that she has the literary goods (the coins), but doesn’t want to share them!

Although she is posting on her blog, she’s reluctant to publish her work on any other social media platforms. Like the figure in this card, it’s almost as if Jeanine is trying to hide the gold of her writing from others’ eyes.

A writing coach’s solution

Once we saw Jeanine’s dearth of blog visitors from tarot’s point of view, we realized the issue could be resolved by her sharing her beautiful work more widely. For advice on how Jeanine might do so, I turned to author and artist Austin Kleon. In his book SHOW Y OUR WORK! 10 Ways to Share Your Creativity and Get Discovered, Kleon shares a bevy of options—beyond the blog—for an aspiring memoir writer to choose from.

(If you, like Jeanine, are ready to try some low-risk strategies for sharing your writing, I’ve written an article that discusses Kleon’s ideas and includes several of my own. Take a glance at “Publish Your Writing Now: Whisper, Shout, Hit Send!”)

What else could the Four of Coins have to say?

If the Four of Coins were your writing coach, it might suggest you share your resources with other writers. For example, you could host a monthly critique group for writers who need support. Maybe you could review a friend’s manuscript and give her feedback. Or what if you read parts of your work-in-progress at a nursing home or senior center?

This card’s bottom line? Share the gold of your writing and your experience. It will benefit both you and those in your writing world.

Would you like to discuss ways to get your writing out into the world with a top writing coach?

I’d love the chance to hear about your story and offer you some support from my many years of experience helping writers become authors. If you’d like to chat with me, schedule a free consultation. Also, check out this article: “Should I Hire a Writing Coach” in THE WRITER magazine.

Thanks to Llewellyn Worldwide for kind permission to share this image from the Anna.K Tarot.

Tarot and Writing: Meet the Two of Cups, Your Writing Coach

May 14, 2023

Tarot and writing seem a match made by the very best of old-school matchmakers! The 78 images that make up a tarot deck can inspire writers in many ways. As a writer myself, as well as in my role as a writing coach, I’ve found looking at the cards can spark our creative writing, suggest a solution to a specific literary problem, or even propose a way out of a writing slump.

No matter what issue we’re addressing, it can be fun to draw a tarot card and see what it has to offer about our current writing journey. In this case, I drew the Two of Cups. Here’s what this smart card had to say.

Tarot and writing: the Two of Cups on your writing process

If the Two of Cups were your writing coach, she’d ask you to be loving with yourself and committed to your writing project. In this card, we see a union occurring, two people are joining their intentions for a higher purpose. Often read as the card of new love (or even infatuation), we can also understand this as a contract being pledged.

What if that contract is between you and your writing? What promises are you giving? And what do you expect in return? I’ve read that a relationship isn’t really a 50-50 proposition, but a 100-100 one. If our relationship is with our writing, then it follows that we need show up fully (hello, butt in chair!), even when our writing is slow to respond.

Also, as in all partnerships, patience is a thing. Consider Corinthians 13:4-8: “Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs.”

If the Two of Cups were your writing coach, she might ask how you can apply these principles to yourself and the writing you love.

Want to talk about your writing with a top book writing coach?

I’d love to learn about your relationship to your writing project. As a professional writing coach, I might have some helpful insights to share. Please click to schedule your free consultation. You might also take a look at the article “Should I Hire a Writing Coach” in THE WRITER magazine.

Thanks to U.S. Games Systems, Inc. for kind permission to use the image of the Two of Cups from the RIDER-WAITE (SMITH) TAROT.

Writing a Novel Fast(er): 10 Tips!

May 12, 2023

10 Tips for Writing a Novel Fast(er)

Writing a novel is a long game, no way around it. But I’ve helped many writers get to THE END, and I know there are ways to shorten the curve. I’ve listed my favorite get-your-novel-written approaches below. From first concept to first draft, these tips will help writers get their novels onto the page.

Fast(er) novel-writing strategies

1) Think “draft,” not “polished manuscript.” We read published novels and see that they proceed from cleanly edited start to well-honed end. So it’s natural to imagine our book-writing process should follow suit. We decide to create a polished novel—complete with sharp prose, fully developed characters, and beautiful images—as we go.

But it’s actually much more efficient to write our novels as a series of tdrafts. On the first pass of your story, go rough. Next draft, revise to fulfill what’s missing from the first. And save the polishing for your final version.

2) Save editing for later. Rather than stopping to tweak grammar or manage a particular sentence, keep the words flowing! It’s important to get your story DOWN, and broad strokes will help you do that. Don’t want to risk losing your story-telling traction for an errant period or awkward bit of description. Come back and fine-tune later.

3) Make margin notes while writing your novel. Rather than editing as you go, add margin notes to your document. When you revise, these will act as a sort of breadcrumb trail, reminding you what you thought might improve a scene, character, or plot thread. It’s quicker—and less of a creative interruption—to make a general note to consider later than to halt your momentum to wrangle a specific passage.

4) 1000 words a day will get you there—fast! Does 1000 words seem like a lot? Too much?! What if I remind you that 1000 words is actually only four lit-industry standard pages? Does that make it seem more doable? 1000 words a day (even with weekends off), will net you a complete draft fast!

Map it out to write your novel faster

5) Outline your novel. Know where you’re taking your characters before you pack their bags and hit the draft-writing road. Just clarifying your major plot points will help. However, the more detailed your outline, the more quickly you’ll be able to complete your initial draft.

Some writers fear outlining will make their story feel contrived. My work with novelists has shown otherwise. The outlining process can be just as creative and deep as any other aspect of writing your novel.

5a) “I’m a pantser,” you say? Okay! Go ahead; pants your way through your first draft. Before revising, though, outline what you have. That should help you see if you need to create better flow or more suspense or stronger character arcs.

My book, PLOTTING YOUR NOVEL WITH THE PLOT CLOCK, is a quick read and explains a basic approach to outlining your novel.

6) Hop around! Take the advice “Pick Only Ripe Apples,” from LIFE, PAINT, and PASSION, by Michele Cassou and Stewart Cubley:

To keep your process flowing, to feel the enjoyment of creation, you first need to go where it is easy. Easy means ripe. Go where you are attracted…. While you work on the part that is easy, other parts will mature in you, and they will be ready and waiting. You move step by step, from the easiest to the easiest. It is never tedious or tiring because there is no need to force anything. Depth resides more in surrendering to spontaneity than in hardworking struggle.

Apply this to writing your novel. Follow your instincts. No need to pick up where you left off. And if you’ve created an outline, you’ll never get lost in the dark woods of your story!

Set limits

7) Limit yourself to a single point of view. Sure, there are times when one point of view (POV) won’t get the job done. But a single POV story can be quite compelling—and surprisingly complex. Mystery phenom Tana French writes many of her best-selling novels from a single point of view—IN THE WOODS, for example. Her psychologically rich books have won critical and popular acclaim.

Multiple POVs require multiple character arcs—which is both complicated and time consuming. Want to fast-track your novel? Try focusing on a single POV character.

8) Write for just one hour. It can be a huge accomplishment to carve out time to write. And I’m suggesting you stop after just sixty measly minutes?

Yup. I am. Well-regarded artist Nicholas Wilton suggests we limit our creative sessions to an hour. That’s when we’re most effective, he says. I find this to be true. As I enter the second hour of painting or writing, I get circular in my thinking and tight in my expression—neither of which is conducive to making fresh and exciting work.

9) Walk daily. Many writers swear by their daily walks. Why? Walking gives us an oxygen boost. Also, a change of scenery can enliven our brains. And taking a walk can help us solve story problems. We set out for a stroll feeling stuck, only to return with the solution in hand.

10) Write your novel in November. “NaNoWriMo,” short for National Novel Writing Month, is a month-long, nationwide novel-writing fest that takes place every November! Participation is free—and knowing you’re part of a coast-to-coast cadre of novel writers will fill your tank.

For more ideas, check out these two articles: “How to Write a Novel” and “Plotting Your Novel: 5 Fabulous Tips.”

Would you like to discuss your book with a top writing coach?

I’m available to be your professional writing coach. Schedule your free consultation and check out “Should I Hire a Writing Coach” in THE WRITER magazine.

How a Book Writing Coach Critiques Your Book

April 27, 2023

Jamie Morris Writing Coach Whether your book writing coach calls it a “critique,” a “review,” or an “evaluation,” they mean the same thing. Your coach will read your work and give you their professional feedback on essential elements of your manuscript.

But wait! Does that sound scary?

For many writers, the idea of a critique—no matter what term we use to describe it—can be anxiety-producing. If you’re worried about sharing your work with a professional writing coach, here’s something to keep in mind. Your coach is not assessing your work to judge you, but to help you achieve your writing goals! As part of your book-writing team, your writing coach has only one objective—to support you.

To support you effectively, when you hire a book coach, the first thing they’ll want to do is evaluate your book-in-progress. It doesn’t matter how far along your book may be. You might only have an idea for a book. If so, that’s fine! In that case, your book coach will work with you to develop an outline or a synopsis from that initial concept. Whatever you have in hand—an idea, an outline, a partial draft, or just a few chapters—your new coach will want to get a feel for where you are in your book-writing process.

This initial critique will allow them to give you feedback on what’s working and what needs further thought. And it’s a great way to get the writing-coaching ball rolling in the right direction.

What your book writing coach looks for …

Writing a novel?

Specifically, if you’re writing a novel, your novel writing coach will probably ask you for a synopsis, a character list, a rough plot outline, and a sample chapter or two. From these materials, your coach will be able to review your story for significant story elements. They will want to know, is your pacing tight and suspenseful? Do your characters’ voices support the general tone of your story? Is your main character facing enough of a challenge to create their all-important internal arc?

You and your coach will discuss these and other aspects of your novel-writing craft after their review of your materials. From there, you’ll create a road map of the path you’ll take as you complete your novel.

Writing a memoir?

While writing a memoir is surprisingly similar to writing a novel in some respects, your memoir coach will first want to consider the scope of your story and its focus.

Memoir vs. autobiography: You see, a memoir differs from an autobiography in two ways. An autobiography considers the entirety of a person’s life—from birth up to time of writing. It will be written chronologically, start to finish, and may well include quite a bit of information about the writer’s parents and other family members.

A memoir, on the other hand, considers either a limited period in a writer’s life or focuses on a single aspect of their life over a longer period of time. Because of these limits, a memoir might be effectively written in any one of a number of non-chronological ways.

Therefore, when they are assessing your memoir concept, your writing coach will want to know the timeline you’ve planned to develop: For instance, where does your story start and stop? Does it cover just your high school years? Your first ten years of sobriety? Or the six months you were in rehab after your accident?

They’ll also be interested in understanding how you are “framing” your memoir. For example, are you focusing your story on a specific event—like the summer you were a ball girl for your local AA baseball team? Or are you writing about a trait from childhood that you overcame in adulthood—like a debilitating fear of dogs?! Your memoir’s scope and focus will determine the outline, so that’s where your coach will start their critique.

Writing a nonfiction book?

If you’re writing a nonfiction book—especially an instructional book, like a self-help or how-to title—a chapter by chapter outline is the most efficient way to convey the organization of your ideas to your nonfiction book coach. This outline will guide you in your drafting process—and it can also form the basis of a nonfiction book proposal, if you choose to create one.

Add in a sample chapter or two, and your nonfiction writing coach will be able to “hear” how you’re addressing your audience. From there, you and your coach are well on your way to tweaking what needs to be tweaked and getting a good, solid draft—or book proposal—done.

Accountability partner + cheerleader!

In addition to reading and responding to your writing, your coach will act as your accountability partner, creating a regular meeting schedule and offering assignments to keep your book moving forward. Your writing coach will also cheer you up when you feel discouraged and cheer you on as you make strides towards completing the very best book you can write!

If you need support in finding a book coach, check out this article on how to find a writing coach. Also, check out “Should I Hire a Writing Coach” in THE WRITER magazine. If you are considering hiring a book coach, I’d love to invite you to schedule a free writing consultation. Let’s see how I can help!

5 Tips to Get the Best From Your Book Coach

April 10, 2023

Jamie Morris Writing Coach A book coach can help you transform your dream of writing a book into a hardcover (or paperback) reality! As a professional writing coach, your book coach knows a lot about how to write a book, for sure. For instance, if you’re writing a novel, she can show you how to fix your plot problems. If you’re writing a nonfiction book, she can explain the best way to organize your ideas. And if you’re just getting started? Your coach can even suggest ways to carve out the time you’ll need to write your book.

But no matter how skillful your book coach might be, it’s your input that will really make your writing coaching relationship bear fruit—and by “fruit,” I mean a completed book! Here are five of my best tips to help you make the most of your book coach’s expertise.

Tip #1: Name your goals. When you first hire your book coach, let her know your goals for your book. For instance, do you want to write a memoir and self-publish it to share with family and friends? Or are you writing a nonfiction book to establish your expertise in your field? Or maybe you’re writing a novel that you hope to have published traditionally.

Depending on your book’s genre, and your ultimate goal for it, it might take anywhere from three months to three years to finish your book! For example, writing a novel or a memoir typically takes more time than a self-help book or a personal essay collection. And self-publishing is a much quicker route to seeing your book in print than querying agents and getting a traditional publishing deal.

Once you help her understand just what you want to accomplish, your coach can tell you about how long it will take to complete your book. With that time frame in mind, you and your book coach can schedule regular progress check-ins to keep your book on track.

Tip #2: Take the time you need. Sure, you want to get your book finished as quickly as you can. That’s a given. But you also want to enjoy writing your book as much as possible—and create your best work in the process! To do so, allow yourself the time you need between writing coaching sessions. Don’t rush to meet your writing coach’s expectations. Just explain your other obligations to your book coach—then organize your coaching schedule so it supports your day-to-day life as well as your writing life.

Tip #3: Ask all your questions. Before each meeting with your book coach, prepare a bullet list of your current questions and concerns. One week, you might be wondering about the big, BIG picture: “Is my book really worth writing?” Another week, you may be worried that the plot of your novel isn’t dynamic enough or that you’re taking too long to get to the important elements of your memoir. Whether you want to discuss your book’s next steps—publishing, copyediting, or getting fresh eyes on your writing—or hear what your coach thinks about your current rate of progress, ask her!

Writing can be a lonely business. And, especially for a first-time book writer, the process can seem tedious or baffling or even terrifying! With seemingly infinite choices to make at every turn, it’s natural to wonder whether you’re taking one step forward or three steps back.

Trust that your coach will be truly interested in your questions. At each meeting, she’ll want to hear exactly what’s helping you feel confident, as well as where you’re getting stuck. You’ll be surprised at the helpful strategies she’ll have up her sleeve. As a professional writing coach, she’s gotten hundreds of writers through the tough stuff and back on track. And you, my writerly friend, will benefit from all her experience. If you just remember to ask.

Tip #4: Know that resources abound. No matter the genre of your book or where you are in your book-writing process, there are heaps and heaps of golden resources available to you. From books on plot to YouTube channels dedicated to explaining how to get an agent, you can find information to complement or even enhance all that you’re learning from your book coach. But you don’t have to dig blindly through Amazon’s lists to find the good stuff. Oh, no! Your writing coach has a list of relevant resources—book titles, bloggers, classes, podcasts—at her fingertips, and she will be delighted to share them all with you. Because the more you know, the more you know. Right?

Tip #5: Be an advocate for your ideas. Your book coach is awesome—I know she is! But sometimes she may miss the mark. She may question what you feel is a foundationally important idea about your book, leaving you to feel that you have an adversary, not an advocate. If this happens, though, stand up for your idea! Explain to your writing coach why the concept is important and ask her to help you figure out how to include it in a way that enhances your book, rather than undermines it.

For instance, writer Peg Love had an unconventional approach to joining two genres: Women’s Fiction and Thriller. Before she came to me, she had worked with four developmental editors on her novel. Each one of them was concerned about the same thing: whether the two aspects of her story could combine to make a seamless whole.

I also wondered how Peg could bring her characters’ vastly different experiences together in a way that a reader would find both believable and enjoyable. Peg and I really liked working together, but I continued to feel uneasy about having two genres in one book. After much discussion—and with Peg sticking firmly to her position—we found ways to integrate the two story lines and make them work. Woo-hoo!!

In a blog post about writing coaching, Peg referred to our experience this way:

Through my many [editorial and coaching] sessions I’ve found these attributes to be what makes, for me, a great writing coach: She’s an advocate—a champion of the work and an ally to my goals. When she pushes back on an idea, but changes her opinion after being led through my thought process, I know I have an advocate. She has the breadth of a developmental editor and the depth of an investigator, willingly jumping in to help me untangle weak points and suggest strong threads to braid into the story.

My work with Peg made me a better coach. And I hope sharing her story—and all my other tips—will help you in your relationship with your coach. As I read back through what I’ve shared here, I see a common theme: While your writing coach is a professional with wide knowledge of the literary industry, she’s not the author of your book—or the authority of your experience with her. So, take a page from Peg’s (metaphorical} book. Throughout your book-writing journey, keep the reins firmly in your own hands. Own your process, ask questions, state preferences, and stand strong for the book you want to write. Your coach—and your future book—will thank you for it.

Need help with your book? I’m available for book coaching ! And check out “Should I Hire a Writing Coach” in THE WRITER magazine.

Writing Coaches: An Interview

March 20, 2023

A FEW WEEKS AGO, in an interview on writing coaches, I got to discuss both the purpose of having a writing coach and the role of critical feedback in a writer’s life for The Working Writer Podcast with my client and good friend Tia Levings. Tia and I started working together in 2017, when she came to me looking for feedback on her current work in progress and for writing coaching, in general. Like a lot of writers, Tia was juggling quite a few projects, had too many ideas in the hopper—but didn’t know how to get her books done. (Today, Tia is the co-author of PLOTTING YOUR NOVEL WITH THE PLOT CLOCK and author of A WELL-TRAINED WIFE: My Escape from Christian Patriarchy, which will be out on St. Martin’s Press in the winter of 2024.)

Although she was a prolific writer (yay!), she had come to realize that just writing a lot wasn’t enough get her across the finish line. What Tia really needed was an objective eye to help her see what was going both right and wrong.

A writing coach is a trusted story confidante

Offering quality feedback is a big part of my job. Good writing doesn’t happen in an echo chamber. You know how it goes–-you work hard on a piece and feel like it’s done until that edge of doubt creeps in. “Is it really any good?” “Am I missing something?” “Who can I ask to read it?”

Why hire a writing coach? As challenging as it is to find a critique partner, feedback is important. After all, you’ve been staring at those words for so long your eyes now skip right past your errors. You are, as they say, too close to the forest to see the trees. But not all feedback is helpful and not every opinion shared will be useful. How can you know?

There are criteria that separate good feedback from the bad. Some of this comes down to the feeling generated by that feedback. If the suggestions are personal attacks on you as a writer, then they are not constructive suggestions to make your piece stronger. A critique that rips your writing to shreds without practical ideas on how to adjust what isn’t working maybe overly negative and as such, would be of more value discarded and ignored than taken seriously.

And what about the poor newer writer, who finds themselves on the receiving end of that?! They’ve mustered up the courage to have their work scrutinized and bam! I can’t blame them if a bad critique experience makes them want to just quit.

Good writing coaches don’t offer feedback as a personal attack

Ironically—and unfortunately—it’s fear of this very situation that causes some writers to skip the feedback step entirely. Instead, they just put their work out there, sending it to agents or self-publishing it online, without ever having a thoughtful manuscript review. Nah, nah, nah, nah … I can’t hear you, they think, with their hands over the ears. And then when their queries go unanswered, their books don’t sell, and their reviews sit silent, they wonder why.

When Tia invited me to be on her podcast, she focused our discussion on a writer’s need for good feedback and the role coaches play in that process. Tia describes a “working writer” as one who takes their craft and effort seriously. While hobbies are great, her show draws a distinction between writing as an occasional interest and writing as a serious pursuit.

I bet there are as many ways to be a working writer as there are writers. Tia has an exciting line up of guests planned, including agents, professors, novelists, editors, and yours truly, her writing coach.

Writing coaches are part editor, part cheerleader

As I mentioned, Tia came to me as a client three years ago—after a Google search and an emotionally difficult experience with another coach before me. Like a lot of writers, she’d been working hard but in circles, not knowing what she didn’t know.

Her previous foray into working with a coach resulted in red-pen words and tears––so not my style. As I wrote in this post about writing coaches, a coach is always on a writer’s side. A great coach will have the chops, knowledge, and experience to effectively help a writer get their books done. Part editor, part cheerleader, part story confidante, a coach is your smart, effective writing friend.

Kudos to Tia for trying again—because once we identified where the issues were in her process, she was able to fix them and move forward with her writing career. She now has a completed memoir nearing publication, has co-authored a book on the writing craft, and has several viable fiction projects in progress.

Tia started The Working Writer Podcast in 2020, and every episode pairs with a Companion Guide––a short ebook that further explores the topic of that week’s show. My episode airs on February 10.

Tia’s also written a series of blog posts on the writing life. You’ll see them posted here throughout the coming months.

In the meantime, you can listen to the podcast on Anchor and Itunes, as well as anywhere else you access podcasts. It’s also in video format on YouTube. The Companion Guide for my episode is called Get Feedback on Your Writing, and is available on Amazon.

Writing coach

Need help with your book? I’m available for book coaching ! And check out “Should I Hire a Writing Coach” in THE WRITER magazine.

Three Benefits of a Creative Writing Coach

March 19, 2023

Would you like support unlocking your full potential as a writer?

What is creative writing and how can a creative writing coach help? When we say, “creative writing,” we’re actually talking about two things: primarily imaginative writing and creatively developed factual writing. The more imaginative types of writing include short stories, novels, and poetry, for example. In these forms of writing, we make up events and images almost entirely from our inner inspiration. We might use elements like imagery, metaphor, and evocative language to get our vision on the page. But writers of nonfiction projects—like memoirs, personal essays, or literary journalism—often rely on many of the same techniques. Adding our own style to our writing makes our work unique and engaging to read, whether what we are writing about is purely imaginative or completely factual.

But using our creativity to write in ways that are personal to us can be an unexpected challenge. While you may think most writers are just born with the ability to spin stories that captivate readers or use language in beautiful and moving ways, most of us need support to develop writing skills like these. That’s where a creative writing coach can come in.

Why a writing coach? A professional writing coach—especially a creative writing coach—works with writers (like you?) who want to find ways to add depth, power, and interest to their writing.

Whether you’re an experienced writer looking to take your work to the next level by developing your voice or are a novice writer trying to find the shape of a story, working with a writing coach can unlock your full potential as a writer.

As a creative writing coach, I help writers working on many types of creative writing projects. Among them, I am a

Although there are many reasons to work with a writing coach, here are three top benefits:

1. Personalized guidance and feedback on your writing project

A creative writing coach will provide you with one-on-one guidance and feedback tailored to your individual needs and goals. Whether you’re struggling with plot development, character building, or simply trying to figure out the best way to get your book or essay started, a writing coach can offer insights and techniques to help you overcome your challenges and (creatively!) improve your writing.

2. Accountability and motivation

Sometimes, writing can seem like a solitary—lonely—pursuit. A professional writing coach is a companion on this sometimes-challenging path. They can help you get unstuck and stay on track. They can also help you set realistic goals and act as your accountability partner, helping you stay motivated to achieve those goals.

3. A safe and supportive environment

Your writing coach will provide a safe space for your work to be shared. Writing, especially creative writing, can be quite a personal and vulnerable experience. Therefore, it’s important to have a safe and supportive environment in which to share your work and receive feedback. A writing coach provides a confidential and judgment-free space to explore your creativity and develop your skills.

A creative writing coach can respond to your writing with enthusiasm for what’s working and skillful strategies to help you fix what’s not.

If you need support in finding a creative writing coach, check out this article on how to find a writing coach. If you are considering hiring a writing coach, I invite you to schedule a free writing consultation. Let’s see how I can help!

Makes a GREAT Writing Coach?

March 18, 2023

What is a writing coach?

A writing coach is someone who helps writers get their books done! Part editor, part cheerleader, part story confidante, a coach is always, always on a writer’s side—and she is also someone who has the chops, knowledge, and experience to make her support effective.

Your writing coach is your smart, effective writing friend. Whether you’re trying to figure out which writing project to tackle next, how to plot your story, or how to even handle such a big commitment with so many other demands on your time, she will guide you forward confidently.

She’s traveled this road before, and knows how to get you where you’re going.

While I’ve been helping writers for well over a decade, and have developed solid strategies along the way, I was curious: what makes a great coach? I asked this question of a dozen writers, including several well-published colleagues, a few clients, a literary agent, an editor, the head of a college writing program, and the creative director of a small publishing house.

If you’re in the market for a writing coach, you might keep their responses in mind.

What makes a great writing coach?

Tom Wallace, editor and ghostwriter: Contrary to what many new writers believe, the craft of writing—narrative writing, creative writing—is less an inborn talent than a collection of skills that can be learned. In my observation, the best coaches—great coaches—can not only hold multiple story and character ideas in their minds, but guide writers in applying the skills they need to make those ideas work. A great coach offers both their knowledge and their generous attention to a writer’s creative needs. Working with a coach is an investment in time and energy that can transform a writer’s creative journey and pay off for years to come.

Joyce Sweeney, award-winning author, former coach, literary agent with The Seymour Agency: I think, moving past the obvious skill of knowing the rules of good writing and how to apply them, the real talent a great coach brings to the table is to be able to read the client’s work and feel the intent. We have to know what this person is doing, why they are doing it, and what is important to them beyond what they have written. What do they uniquely have to say? What undeveloped gifts can we see traces of? We have to somehow see the finished project they are dreaming of, and work backwards from that to what they have put on the page so far.

Tam Cillo, Communications at Club Car: We all have our writing strengths and weaknesses. A good writing coach celebrates the former and helps improve the latter—and she creates an atmosphere of acceptance. When she reviews my writing, she is listening for my voice, my personality. This means she sees what’s possible in even the roughest pieces. Like my favorite scuffed sneakers, my work doesn’t need to be pristine, like out-of-the-box white Keds for her to see the potential.

A great writing coach does more than encourage, though. She helps me set goals—and stick to them. She knows that the art of writing takes more than creativity, that I must continue to develop my skills. And when I get stuck, she’s a motivator who helps me move the roadblocks and continue on the way toward my success.

Elizabeth Sims, award-winning author, contributing editor at WRITER’S DIGEST magazine: The best coach is first a listener. Tell me your troubles! Then, a permission-giver. It’s OK for you to feel anxious when you do new things. It’s OK for you to screw up! In fact, it’s required! Then, a combination wrecking ball and new puppy. Let’s blast through obstacles without much thought! Let’s make friends out of troubles we can’t break apart! Love the storm and sunshine equally! What a journey!

Reverend Rebecca M. Bryan, minister at First Religious Society, Unitarian Universalist: A great writing coach is someone whom you trust implicitly to guide you on the right path. She always tells the truth and holds the success of your work as paramount importance. She’s a consummate professional, who has a way of being kind to your spirit and entirely honest at the same time. Her critique and redirection always resonate and nudge you to the next right step in your writing, while her encouragement is ever-present. You trust her with your craft, which is to say you trust her with your heart and your professional path.

Peg Loves, writer: I had four developmental editors before I realized what I needed was a writing coach. Through my many sessions I’ve found these attributes to be what makes, for me, a great writing coach:

She’s an incubator for ideas. I have brought twigs of ideas into a meeting and left with the frame for a tree house.
She’s an advocate—a champion of the work and ally to my goals. When she pushes back on an idea, but changes her opinion after being led through my thought process, I know I have an advocate. When she doesn’t let me avoid something hard that I’m fully capable of doing, I know I have an advocate.
She has the breadth of a developmental editor and the depth of an investigator, willingly jumping in to help me untangle weak points and suggest strong threads to braid into the story.

I believe, though, part of what makes a writing coach great is the writer. Are you open-minded? Are you clear on your goals? Are you ready to deep dive into the work? Finding the right writing coach is much like dating, trying out personalities, finding which one fits best to foster your productive and fruitful work.

Ryan G. Van Cleave, author, Head of Creative Writing, Ringling College of Art and Design: Why do you need a writing coach?

To stop floundering
To save years of heartbreak
To shorten the learning curve
To help develop an appropriate, effective platform
To create a clear direction for your writing efforts and career

The best writing coaches aren’t just editors—they’re guides to the wider world of reading, writing, and publishing. A great writing coach will help identify what’s holding you back, troubleshoot specific writing projects, and offer insider-industry advice to create a pathway to the future you want in the world of writing.

MK Swanson, writer: A great writing coach is …

A cheerleader to speed you to the goalpost.
A best friend for delivering truth gently.
A concierge on whose efficiency you can depend.
A masseuse with whom your creative muscles relax.
A drill sergeant by whose orders your story gets stronger.
A trail guide to lead you past the brink of madness.
A magic hat from which to pull rabbits.

Teri Saveliff, author of SIGNATURES: If you ask a friend, even a well-qualified friend, to judge the quality of your work, you will likely get a supportive but not necessarily accurate response. A good writing coach will tell you the truth. A great coach will tell you the truth in a way that encourages you to jump in and make the changes that will benefit your story—even, or especially, if these are big changes.

If you’re like me, you love words and have an easy time putting them on paper. But maybe the overall arc of your story is weak. A writing coach can tease out the story lines you may have buried in pretty language and give your work some true substance. She can also work her magic on unlikable protagonists and improbable plot lines. Ready to take it to the next level? Consult a writing coach.

Hanna Kjeldbjerg, creative director at Beaver’s Pond Press: When I’m looking to connect authors with a writing coach, the number one thing I look for is heart. Writing is so personal, and manuscripts are oftentimes an extension of ourselves. It’s true that authors need writing coaches for accountability, organization, and an objective eye to help with structural elements like narrative arc. But more than that, writers need a partner who understands their vision for their book, who feels like a friend.

My favorite editing quote is “Editing fiction is like using your fingers to untangle the hair of someone you love” (Stephanie Roberts). A relationship with a great writing coach should feel like that.

Megan Cooke, writer, animator, graduate Ringling College of Art and Design Creative Writing Program:

Great writing coaches don’t just tell you to fix something, they explain how to reach your solution.
Prioritization and organization are huge—a great coach will help you focus on what matters most.
A great coach should have your future readers in mind. They’ll catch things that will be confusing or unsatisfying to your audience.
Your coach should know what hard decisions need to be made. A coach can help you make tough decisions—sometimes even suggesting “killing your darlings”—that will benefit your entire story.
A good relationship between you and your coach makes all the difference. Our stories can be very personal, and a great coach will understand what matters most to you. They will encourage you and push you to produce your best work.

Scott Dobbins, aspiring futurist; founder/CEO, Hybridge: Any writing coach must have the experience and knowledge to provide perspective and insight to their writers. But that is just a part of it. A great writing coach must have the ability to engage with their writers on many levels—personally, intellectually, and spiritually. This forms an authentic bond, one rooted in mutual trust and respect.

With this foundation, a great coach may be empathetic and supportive in one session and no-nonsense and directive in another—whatever the project and writer require at the time. A great writing coach knows when to push you and how to pull it out of you. They are both your cheerleader and your challenger, your accountability partner, and your friend.

Looking for help with your book or writing project?

I’m available for writing coaching and book coaching ! Also, check out “Should I Hire a Writing Coach” in THE WRITER magazine.

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Image of “The Coach,” from BASEBALL TAROT, by Mark Lerner and Laura Philips, illustrations by Dan Gardiner.

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