Posts Tagged ‘process’

Why Butt-in-Chair Doesn’t (Always) Work for Writers

Do you wonder why butt-in-chair doesn’t always work for writers? I mean, in theory, it sounds great, right? You just show up at your tablet or notebook and let the magic fly!

Oh, if only that were true….

Instead, you may find that, while you do show up, sit down, and fire up your laptop, the results of your enforced writing sessions are anything but inspired. If that sounds familiar, you’re not alone. Simply disciplining yourself to commit to a regular writing schedule is great for building the writing habit. But it doesn’t always lead to creativity—or even progress.

Here are some reasons that just putting your butt in your chair may not garner the results you’re hoping for. And some strategies to help you do something about that.

Problem 1: Butt-in-Chair Can Feel Like a Chore (Ugh.)

Why it doesn’t work: After a while, sitting down every day—or even most days—can feel like a repetitive grind. This is especially true when you’re not getting new ideas after showing up so diligently. Creativity can’t always be scheduled.

What to try instead: Don’t just sit there! Involve yourself in activities that are likely to coax those fresh ideas out to play. For instance, you might try doodling scenes from your story or mind-mapping your idea with colorful markers. You could read an article on the topic you’re writing about—or even take a quick walk to gain perspective. You don’t need to produce scads of words every time you put your butt in the chair. Just showing up and courting your creative spirit may serve you better in the long run.

Problem 2: Butt-in-Chair May Overlook Your Creative Rhythm

Why it doesn’t work: If you’ve scheduled your writing for a time that doesn’t align with your natural rhythms, trying to produce good work can feel like pushing a boulder uphill.

What to try instead: If you notice you feel tired as soon as you sit down to write, experiment with writing at different times of the day. You probably already know whether you’re a morning person or a night owl. Take that, and any other self-awareness you have about your biorhythms, into account when deciding when to write.

You might also try to work in shorter blocks. Schedule thirty- or forty-minute sessions during those periods that you know you’re naturally more creative. You may actually find these quick writing bursts can lead to more productive output—and more creative work—than that which you generate during more forced, extended blocks.

Problem 3: Butt-in-Chair Doesn’t Offer You Guidance

Why it doesn’t work: Sitting down to write without a goal—or at least a sense of direction— can leave you feeling lost. In addition to making you wonder if you’ve just wasted all that time, you might also begin to question the value of your project—or, worse, your ability as a writer!

What to try instead: As a warm-up, when you sit down in your writing chair, sketch out a loose plan for the session. You might jot down a few goals for your writing time (small and manageable ones!) or bullet-point a few question you’d like to explore. You could also bring a writing prompt related to your current project to get you started. For example, if you’re writing a memoir, you could do a ten-minute free-write starting with the phrase “I remember.” And, if you have an outline, no matter how loose, keeping it nearby can help you jump right into the writing—which can provide direction and make your session more productive.

Problem 4: Butt-in-Chair Can Lead to Burnout

Why it doesn’t work: Writing for the sake of “showing up” every day can lead to burnout. This is especially true if you’re not seeing progress. “Progress” can mean the number of words you write or how your project is developing. Or (and maybe most importantly), “progress” can refer to how much you’re enjoying your own writing!

What to try instead: Sometimes, we just need to take a break. That could mean—gasp!—leaving your writing alone for a week or two. Or, instead of trying to produce fresh material with a burned-out brain, editing what you have, rather than drafting something new. You might even start a small side project—writing a short story, blog post, article, or interview—to change things up. Shorter writing projects can offer a quick shot of satisfaction that could refresh you and lift you from your burnout.

Problem 5: Butt-in-Chair Doesn’t Factor in Reflection Time

Why butt-in-chair doesn’t always work for writers: Constantly pushing forward, forcing words onto the page without reflecting on how those words are fulfilling your purpose, can keep you spinning in circles—or digging yourself into a rut.

What to try instead: Allow yourself time for “prewriting.” This can consist of jotting down ideas to explore or considering ways to organize your material. You might also try to think metaphorically about what you want to say. This might help you extend the possibilities or scope of your project. You could set aside an hour each week to review what you’ve written, too. That’s a great way to assess what’s working and consider ways to adjust your approach where needed. Or (and this can be more useful than you might think), simply spend some time wool-gathering or daydreaming in the general direction of your project. However you do it, reflection helps keep your writing process alive!

In BIRD BY BIRD, Anne Lamott Cover of Bird by Bird by Anne Lamott illustrates this discussion about why butt-in-chair doesn't always work for writersgives great advice about all aspects of the writer’s life. If butt-in-chair isn’t working for you—or you feel stuck or blocked in any other way—and you haven’t read this treasure, now could be your moment!

Why butt-in-chair doesn’t (always) work for writers

Butt-in-chair does work—for some writers, some of the time. But it’s not a one-size-fits-all solution. If you’re finding it tough to stay motivated or make progress, try adapting your approach to fit your unique style. Writing is as much about finding what works for you as it is about getting words on the page. Whether your butt is in your chair or you’re running laps around your neighborhood, shouting into your voice-to-text device, find ways to make writing fresh and fun. You and your readers will both reap the benefits.

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6 Types of Writing Practice to Help You Become a Better Writer

Whether you’re just starting your writing journey or looking to improve your craft, writing practice may be helpful to you. Here are 6 types of writing practice to help you become a better writer. Each method helps sharpen different skills, offering you a variety of ways to develop your writing and stay inspired.

1. Freewriting

Freewriting, introduced to this writer by Natalie Goldberg in her classic book WRITING DOWN THE BONES, is one of the best creative writing exercises Cover of Natalie Goldberg's classic book about writing practice, Writing Down the Bones, is one of 6 types of writing practice to help you become a better writer discussed in this article.to unlock your creativity. It involves responding to a prompt and writing continuously without editing or overthinking. This practice is great for beginners and seasoned writers alike because it helps you get words on the page and break through mental blocks.

Example: Use a simple prompt like “The air was thick with…” and let your mind wander for 10 minutes. Write whatever comes to mind without stopping to correct or censor yourself. This freewriting practice is ideal for generating ideas and breaking free from writer’s block.

Key takeaway: Freewriting uses a prompt to get started but remains unstructured and raw. It’s a great way to practice writing without worrying about perfection.

2. Morning Pages

Morning Pages, introduced by Julia Cameron in The Artist’s Way, is a daily writing practice perfect for clearing your mind and staying focused. Unlike other forms of writing practice, Morning Pages are designed to help you dump all your thoughts and worries on the page, freeing up mental space for more creative work. Morning Pages can be an excellent tool for writers looking for writing inspiration each day.

Example: As soon as you wake up, write three longhand pages about whatever is on your mind. You can reflect on dreams, plans for the day, or emotions you’re working through. The goal isn’t to produce polished work but to clear your mind and set the stage for creativity.

Key takeaway: Morning Pages are a structured, daily practice aimed at mental clarity rather than idea generation, making them a useful habit for any writer looking to improve their writing skills.

3. Prompt-Based Writing

Prompt-based writing is one of the best writing prompts for writers who need focus and direction. A writing prompt gives you a starting point to explore, helping you shape a specific story or scene. This exercise is ideal for improving narrative structure and for anyone wondering how to improve their writing skills with more focused practice.

Example: Use a prompt like, “Write about a time you felt completely lost,” and develop it into a short story or reflective piece. Here, the prompt doesn’t just trigger the writing—it also guides the direction, leading to a more coherent result than freewriting.

Key takeaway: Prompt-based writing is focused and intentional. It’s perfect for writers who want to develop specific pieces while exploring new ideas or themes.

4. Journaling

Journaling is a flexible, introspective writing practice that helps you reflect on daily events, emotions, and experiences. It’s a great writing practice for beginners because it encourages regular writing without the pressure of creating polished work. Journaling can also serve as a source of writing inspiration when you’re feeling stuck.

Example: At the end of each day, write a few paragraphs about something that happened and how it made you feel. Journaling helps you track personal growth, process emotions, and can inspire future writing projects.

Key takeaway: Journaling is a personal and reflective writing practice. It helps writers stay connected to their thoughts and provides material for future creative writing.

5. Writing Exercises

Writing exercises are focused activities that help you improve specific aspects of your writing, such as dialogue, pacing, or character development. These exercises are perfect for anyone looking for creative writing exercises that target areas where they want to grow.

Example: Write a scene where two characters argue, but only use body language and action to convey the tension—no dialogue. This exercise challenges you to “show” rather than “tell” in your writing, a valuable skill for any storyteller.

Key takeaway: Writing exercises are structured, targeted practices that help you improve specific writing techniques. They’re perfect for writers who want to sharpen their craft and grow in particular areas.

6. Rewriting and Revising

Rewriting is an essential writing practice for anyone looking to improve their writing. Often, your best work comes through revision, where you refine ideas, tighten sentences, and clarify your message. Rewriting helps writers elevate their work and is an important step in developing your voice.

Example: Take a draft of a story or essay you wrote a few weeks ago and revise it. Focus on cutting unnecessary words and making your dialogue sharper. Rewriting often leads to surprising improvements in your original draft.

Key takeaway: Rewriting is where the real work begins. It’s one of the most important writing tips for new writers, teaching you to critically assess your own work and make it stronger.

Conclusion:

Writing practice is essential for every writer, from beginners to experienced authors. By incorporating these six types of writing practice into your routine, you’ll stay inspired and continue improving your writing skills. Whether you’re freewriting to unlock creativity or working through a prompt-based story, the key is to keep writing and exploring new approaches.

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Why Your Story Matters in Today’s World

As a writer, you’ve probably heard that little voice in your head—the one that whispers, “Is my story really worth telling?” Let me assure you, it absolutely is! Whether you’re penning the next great fantasy epic or crafting a heartfelt memoir, your unique voice brings something to the world that no one else can. So, let’s silence that inner critic and dive into why your story matters in today’s world!

1. Your Perspective is Unique—Here’s Why Your Story Matters

The world has billions of people, but only one you. That’s pretty extraordinary! The way you see the world, the experiences you’ve lived through, and the lessons you’ve learned are all things no one else can replicate. It’s tempting to think, “Surely someone else has already told this story,” but no one else can tell it the way you can. Even if your story is about dragons or post-apocalyptic worlds, your take on it will be different from anyone else’s. Readers are always on the lookout for fresh, authentic perspectives!

2. Stories Create Connection

Ever read a book and thought, “Wow, this author gets me!”? That’s the magic of storytelling. Stories bridge gaps across time, space, and experiences. Whether your readers are nodding in agreement, crying alongside your characters, or laughing out loud, you’re making them feel seen. You’re offering a piece of yourself that resonates on a deep level, and that connection is powerful. By sharing your story, you help others understand themselves, their relationships, and the world around them.

3. Overcoming Self-Doubt is Part of the Writing Journey

Let’s face it: if you’ve ever second-guessed your work, you’re in good company. Every writer has faced the dreaded imposter syndrome at some point. The trick isn’t to make it disappear—it’s to write through it. Writing is a process, and no one expects perfection on the first try (or even the tenth!). The more you write, the more you learn to trust your instincts. Every writer has their “What am I even doing?” moments—you’re not alone!

4. The World Needs More Stories—Including Yours!

It’s easy to think the world doesn’t need another story. But readers are constantly searching for fresh voices. Even if your story feels small or ordinary, trust me—it has the potential to touch someone deeply. Maybe your story will offer comfort to someone or inspire them to chase their own dreams. Imagine a reader out there, waiting for exactly the kind of story only you can tell.

5. Celebrate Every Milestone in Your Writing Journey

Writing a book can feel like an uphill climb, but every step counts. Finished a chapter? Celebrate! Typed “The End”? Celebrate again! Writing a book is no small feat, and it deserves recognition at every stage. By celebrating your milestones, big or small, you’re making the process more enjoyable and keeping the momentum going.

Why Hire a Book Coach: Jen’s Story

Perhaps you’re wondering, Why hire a book coach? Jen’s story, below, will give you a novel writer’s first-hand experience of working with a professional book coach.

When Jen first contacted me, she’d completed a Young Adult (YA) novel and had already been under contract with a literary agent for a year. Unfortunately, the agent was not able to sell the book. The editors rejecting Jen’s manuscript said things like: “The plot was slow-moving,” “I found my interest waning by the third chapter,” and “I couldn’t quite connect with the main character.”

Finally, mutually frustrated, Jen and her agent parted ways. This brought Jen to a come-to-Jesus moment with her literary career—and led her to hire a writing coach. I’m delighted that coach was me! And I’m so happy to share Jen’s thoughts on our process together.

Why hire a book coach: Jen shares her story

If you’re a writer, you spend a lot of time in your own head. If you’re not a writer, that might sound weird to you, but trust me—it’s fun! There are people in there, and they’re doing interesting things: falling in love, learning magic, murdering their families. Writers’ heads hold maps of cities and castles and the location of quicksand. They’re populated by talking animals, ghosts who refuse to speak their needs clearly, and, maybe, if we’re really good planners, several generations of violent family trauma.

See? Fun!

Writers, however, aren’t content to hang around in their own brains by themselves forever. We writers want to show-n-tell the insides of our brains to the world. And we want the world to love what they see. And pay us for it.

So we sit down to our laptops and we type for many years. And then we send our manuscripts to our friends and family and wait for them to say they like it. And then we email our manuscripts to carefully researched agents in New York who we’re sure are going to love it. And then we die when we receive piles of rejection letters.

But we revive ourselves and do it again. And again. Maybe we do it three times before we stand in front of our haggard reflections and ask ourselves if we should stop—forever.

We don’t, though, either because we really loved show-n-tell (and we’re still mad that Mrs. Walsh mismanaged her time and missed our turn on the last week of second grade) or because there’s something in our bones that won’t let us stop.

When to hire a book coach

After all those rounds of rejection, we realize it’s time to do something different. If we’ve got several years of free time on our hands—not to mention a spare $50,000—maybe we go back to school for a Masters of Fine Arts (MFA) in writing.

If we don’t have that luxury—and I didn’t—I highly recommend hiring a book coach.

If you’re intimidated by the cost of a writing coach, you might want to research the cost of a three-credit graduate class on novel writing. Then consider the fact that you’d be sharing your professor with your classmates. Not only that, but your class will likely end long before you finish a first draft, let alone your second.

When I found Jamie, I was in the middle of my MA in Special Education, and it put the cost in perspective. By the age of 35, I had invested tens of thousands of dollars on myself as a teacher and only a few hundred dollars on myself as a writer. I decided it was time to change that.

Why hire a book coach if you have a finished manuscript

I came to Jamie with a finished manuscript—my first foray into writing adult fiction, rather than my seemingly unmarketable YA novels. But no matter how many times I revised it, it wasn’t working.

We decided to go back to the beginning of the process—back to story concept. That meant I had to trust Jamie with the raw contents of my brain, and it wasn’t easy. Jamie, however, is a big fan of raw brain. She’s an idea zombie, if you will—deeply interested in the process. I learned to trust her to help me untangle the contents of my gray matter and weave them into a cohesive story, one that connects with readers.

Not show-n-tell

Writing a novel is inherently a lonely process. While it may not be show-n-tell, writing is a way to make a human connection. (Maybe AI is going to write the next novel. And maybe it will be entertaining. But I daresay readers want satisfying connections with characters, understanding that another human designed that character and her journey.)

Leo Tolstoy said, “Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all.” Writing 400 pages of the secrets of your soul just to receive a “no thanks” earns you membership in an especially sad club.

You start to wonder if there’s something wrong with you—something about your secrets that really are uncommon.

And then you meet Jamie, who tells you that’s crazy, to get back to work. The issue isn’t that you’re too weird, she’ll say. It’s that you’re not being weird enough. From there, you discover the secret to connecting to readers is mastering the craft. It’s a skill. It’s hard work. That narrative structure, the Hero’s Journey—the one that’s been in literally every story ever since the dawn of human language—it exists for a reason.

No, it’s not easy to master. But Jamie is a plotting expert with a keen eye for characterization. She’s a voracious reader with a book recommendation for exactly what you need to work on this month. She’s a cheerleader and a tough-love distributor. Family and friends will pretend to like your work when it’s bad. Jamie will not. She’s your personal trainer who’s going to tell you that you need to work harder, but she’s also going to make sure you’re not wasting your valuable time working harder on the wrong things.

Welcome to the book coach reality show

Working with Jamie hasn’t exactly been the show-n-tell I’ve wished for; it’s more like being a contestant on one of those reality TV shows. You know. The ones where the straight-shooting declutterer holds your hand as you tearfully toss four of your five chipped Teflon pans into a distended garbage bag. Just like that host, though, Jamie reassures you that, somewhere, behind those dutch ovens and glass casseroles, there’s going to be a story people—editors included—will love.

And I believe her.

—Jen Russ

Struggling to get published? A top book coach might help! Let’s chat.

Writing coach Jamie Morris, pictured smiling, can help you learn how to self-publish your book. I love story—and the characters that live through their stories. I’ve helped many novelists develop their plots in ways that make them more engaging and more marketable. If you’re working on a novel and wonder how to make it more successful, schedule a free writing consultation with me. Also, check out THE WRITER mag article Should I Hire a Writing Coach.”

Writing Coaching: The Hard Stuff

I’ve been in the trenches, coaching writers, for well over a decade. From long experience, I can tell you that, with writing coaching, the hard stuff is the stuff that can make or break a career. And by “hard stuff,” I mean whatever you currently don’t have in your writer’s toolkit.

Most writers have mad skills in some areas, but struggle in others. For instance, you may be a crazy plotting genius, but create flat-as-a-pancake characters. Or, you’re an amazing researcher, but stumble when trying to organize your ideas on the page.

As writers, we all have strengths and weaknesses. But, weirdly, it’s looking our weaknesses straight in the eye that separates successful writers from those who never reach their full potential. It’s natural to want to work around our literary deficiencies. But if we’re willing to really dig in to the less-developed aspects of our writing, we will—eventually—strike gold.

Writing coaching: the hard stuff

Tackling those underdeveloped skills head-on isn’t easy. As a professional writing coach, I often see writers struggle with aspects of writing that feel completely out of their current reach—creating a dynamic plot, for some; finding a convincing voice for others. However, I know that if they keep at it—putting in what may seem an unreasonable amount of time and effort—there will be a pay off.

On the other hand, some writers can’t—or won’t—harness their energies to make the admittedly uphill climb to mastering a tough skill. They truly believe their current (easier, go-to) strengths will carry them to where they want to be in their writing life.

I understand! But that’s not how it works—at least not in my experience.

Hiring a writing coach

So … you know something in your writer’s arsenal needs to be powered up. You hire a writing coach. And it’s going wonderfully! Your coach is an angel on your shoulder. She encourages you, provides accountability, reads your work with enthusiasm and insight. Fantastic!

Of course, she also points out areas of your work that could use some improvement. Many of these aspects are easy-peasy to address. Yes, I can easily be more precise with my verbs, you say. Also, Giving more visual cues to my readers? No problem.

But the hard thing? That “weakness” which is native to you as a writer, your literary blind spot? As you work with your coach, that will become more and more evident. Worse, no matter how hard you try to address this most difficult of skills, you may feel you aren’t making significant progress. And your darned coach won’t let it go!

Fortunately, she will bring myriad ways to help you on-board the skill you most need to master. That’s because she knows how important it is to your career. You can’t maneuver around a deficit without compromising your work as a whole.

Yet, despite your—and your coach’s—best intentions, you may get to a point of frustration. You might want to toss up the whole enterprise and walk away. But—and I am telling you this with the deepest compassion I can bring here—if you keep moving in the direction of excellence, especially when the going gets tough, you will make it through. Then, you will reap rewards you can’t even imagine when you’re humping that huge load of sticks uphill toward your beautiful writing dream.

I believe in you! If you’re ready to dig and find out what you’re made of, a chat with a top writing coach might be your next step on the road to literary success.

Novel writing coach Jamie Morris, pictured smiling, can help you outline your novel. As a professional writing coach, I support fiction and nonfiction writers working in a number of genres. Wherever you are on your writing journey, I would love to see how I can help you achieve your literary goals. Schedule your free writing consultation with me. And take a look at THE WRITER mag article Should I Hire a Writing Coach.”

 

The image of tarot’s Ten of Wands comes from the ASTROMATRIX TAROT, available on Amazon.

How to Write a Fantasy Novel: Quick Tips!

Wondering how to write a fantasy novel? As a professional writing coach, I’ve learned that following a few important guidelines can make all the difference! Here are some magical tips to help you write fantasy fiction, from me—and NEW YORK TIMES best-selling fantasy author Lev Grossman. Dark blue cover of Lev Grossman's book The Magicians writing a fantasy novel

Quick tips for writing fantasy fiction

World-building: Your fantasy world may be an ancient one, filled with a long history of dwarves and elves and dragons. Or it might exist in a contemporary city, where magic hangs heavy in the air.

Whatever your fantastic world, make sure you establish consistent rules to govern your magical elements. Also, even if there’s not a dwarf in sight, you will still need to include the background of your world.

To do so, answer questions like these: What is the origin of magic in your world? Who is allowed to use the magic? How does the magic manifest? Are there factions in your world? If so, what is the source of their differences?

Limit point of view (POV) characters; Your fantasy may encompass many characters. However, if this is your first foray into writing fantasy, I suggest you limit yourself to no more than four POV characters.

Limiting POV characters makes it easier to map out your story. It also allows you to create an internal arc for each POV character. Those arcs ensure your readers invest in your characters as well as your plot.

Create a stand-alone first novel: Fantasy novels are often developed into series. However, if you’re a first-time fantasy novelist, I suggest you write a stand-alone first novel. Forcing yourself to complete a significant narrative arc in a single book will keep you from drowning in story-line possibilities.

If you love your fantasy world, you may decide to set another story there. Eventually, you may find you have created a series! But if you follow this advice, each volume of that series will be a satisfying read on its own.

Of course, as you dig deeper into your fantasy-novel-writing craft, you’ll be ever-better prepared to commit to a full series, right from the get-go!

Let’s learn from Lev Grossman!

My short list of tips covers what I consider to be the most important for fantasy writers to consider. However, Lev Grossman has written a terrific essay on novel writing that addresses many other points of interest for fantasy—and other—writers.

Check out his Buzzfeed piece “How Not to Write Your First Novel,” subtitled, “It is Okay Not to be a Genius.” (Hm. Reading about Grossman’s chilly, oddly heart-filled journey through six cold months in Maine, I’m pretty sure I see his genius shining through.) Grossman is the author of THE MAGICIANS, THE MAGICIAN KING, and THE MAGICIAN’S LAND, among other well-regarded fantasy titles.

Wondering how to write a fantasy novel? A chat with a top writing coach might help!

Novel writing coach Jamie Morris, pictured smiling, can help you outline your novel. As a novel writing coach, I support writers working in a number of genres, fantasy, among them. Whether you’re world-building or developing your characters, I would love to see how I can help you, too.  Schedule a free initial consultation with me. And also check out THE WRITER mag article Should I Hire a Writing Coach.”

Book Writers’ Coach

Why am I a book writing coach? Great question! Over the last ten years, I’ve coached writers of all types. New writers, short story writers, dissertation and thesis writers, hobbyists and journalists. But after a decade of working with a myriad of different writers, I’ve found my greatest joy as a book writers’ coach.

red book cover for book writers' coach Jamie MorrisFolks who commit to writing a book are a different breed. They’re tenacious (and sometimes hard-headed, lol).

They see the long view. They know their actions today (and tomorrow, and the next day/week/year) create their future: If they keep writing, they’ll be authors.

Me? I want to be along for that ride. Sure, there will be ups and downs. (If it were easy, everyone would write a book, right?) So when I agree to become a book writer’s coach, I’m declaring myself in it with you for the long haul.

I’ll be there to remind you about your goals, sure! But more than that, I’ll listen to your ideas and help you develop them in ways that (almost magically) transform your book into something more than you ever imagined it could be! (Believe me, I have a track record for doing just this!)

I’ll guide you to be more efficient when you need to get something—chapter, outline, query letter—done. But I’ll also encourage you to explore enticing paths that may make your work both richer for you as a writer and deeper and more meaningful for your eventual readers.

So, why am I a book writers’ coach? Because I consider it a gift and an honor to help creative people—you!—accomplish the huge task of turning your dream into a book.

It’s possible. It’s hard. It’s worthwhile. And you don’t have to do it alone.

Gearing up to write a book? A chat with a top book writers’ coach might help!

As a book writers’ coach, I have tricks of the trade to share! Book writers' coach Jamie Morris Schedule a free initial consultation with me. And also check out THE WRITER mag article Should I Hire a Writing Coach.” 

Tarot’s Judgment: Your Writing Coach

When tarot’s Judgment card volunteers to be your writing coach, fasten your seatbelt! It’s time to rev up a manuscript you thought had breathed its last. We’ve all been there, right? (Or is it just me?) We give up on a “failed” manuscript. Then we push it as far away from ourselves as possible, leaving it to die an ignoble death.

But is it really dead?

Tarot’s Judgment card can coach a writer’s draft to life.

Tarot's Judgment: your writing coach is shown as a phoenix rising from the flamesJudgment, in tarot, is about rebirth. In this image, we see a Phoenix rising from the ashes. From the Judgment card’s perspective, we can see that our manuscript did not actually collapse into a pile of cold ashes. It just needed time to settle.

In WRITING DOWN THE BONES, Natalie Goldberg discusses “composting” our ideas. She says that with repeated attempts to express a concept or aspect of our lives, we’ll eventually develop a sort of critical mass of attention. And “something beautiful will bloom.”

This seems to me to be similar to the way we can focus sunlight through a magnifying glass and eventually set fire to a pile of kindling. (Please don’t try this at home!)

Tarot’s Judgment writing coaching moment

It’s been my experience that our ideas, gathered like tinder in the form of a draft, may lay dormant for longer than seems reasonable. In fact, having shoved the darned thing in a drawer or file, we swear we’ll never look at it again.

And then … one day … it calls out to us. Then, it’s time to bring out the magnifying glass and stare at our draft until it bursts into fiery new life. That moment when the twigs spark, that’s a Judgment card moment! When our book draft (finally) starts to kindle, though, we must be right there to fan the flames.

You see, Judgment may make the call. But we must to be ready to answer with a full heart—and faith that this time our book will be fully born from the flames.

Ready to (re-)commit to your book? A chat with a top writing coach might give you the boost you need!

When a writer is ready to tackle either a significant revision or an entirely new approach to their book, a professional writing coach can offer a perspective that will help them get traction right from the get-go. Would you like to discuss your project? Breathe new life into your book with Jamie Morris writing coach and tarot's Judgment card Schedule your free consultation.and check out Should I Hire a Writing Coach” in THE WRITER magazine.

Tarot’s Judgment Card as Your Writing Coach uses the image of Judgment from the ASTROMATRIX TAROT.

Unlock Writer’s Block

Oh, my gosh! Yolanda needs help to unlock her writer’s block! writer's block causes figure under nine swords to have a nightmareShe’s tormented by worries of failing as a writer—yet can’t get any words on the page. While she’s allowed swords of self-recrimination to stack up over her head, it’s probably not as desperate a situation as she believes.

Like many writers, Yolanda feels that if she’s stuck with her current project—short story, essay, master’s thesis—she’s “blocked.” But if she looked more closely, she might find she’s facing a more manageable problem.

In my wide experience as a writing coach, I’ve seen writers like Yolanda free themselves from the dreaded block quite quickly. They just need the right strategies.

If writer’s block is threatening, check out these common causes and their cures. You, too, may be able to unlock writer’s block and write with ease again!

Start here: Is it really a block?

At a crossroads? Maybe you’re actually just confused about what to do next. “Confusion” is not a block! It’s a reasonable response to the many paths a writer can take at any given moment. Uncertain of which way to go?

Try this: Pick any one possibility, set a timer for ten minutes, and write as if you were committed to that direction. If it’s not right, back up and try a different option.

Empty tank? Exhausted? Pushing forward when our creative tanks are empty is a sure way to grind writing to a halt. While fatigue is not necessarily a symptom of writer’s block, it sure can feel like it.

So, take note: Too tired to write? Give it a rest. Whether you need an hour or a week to recover your mojo, take it. Your restored future self will thank you.

Says who? Okay. Here’s the truth: I hate being told what to do. Maybe I’m alone in this. Maybe not. But I have noticed that when someone is writing a memoir because other people have told them to—“You’ve had such an interesting life”—the would-be writer generally loses interest at some point. Likewise with fascinating topics about which a person is an expert. Or when someone is naturally funny or a great story teller.

If you’re struggling to fulfill someone else’s literary ambitions for you, chances are good you don’t have writer’s block. You probably just don’t want to write a book. Or, at least, not the book other folks are telling you to.

Mix it up to unlock the block!

Pushing an agenda? When we come to writing with a too-tightly circumscribed agenda, we can write ourselves into a corner. Rather than trying to beat our project into obedience, we can play a bit. Free-writing on our topic can allow fresh ideas to surface, unlocking our writing progress once again.

Traveling the straight and narrow? New writers—particularly new novelists—may think their job is to start writing at the beginning and continue all the way to the end. Makes sense, right? But more often than not, this approach leaves them in a rut, wheels spinning.

Instead, imagine which scene might be the most interesting to write today. A novel is a long haul. Making it more fun makes it more likely you’ll actually get it done.

Play hopscotch! Rather than committing your focus to a single writing project, have two or three on the go. When you feel stuck with one, move to a different piece. Hopping from a stalled project to a fresher one is sure to reinvigorate your writing process.

I hope you (and Yolanda!) try unlocking your next bout of writer’s block with some of these strategies. While a little angst can make for interesting writing, I’ve found it’s best to keep most of the drama (not to mention the swords!) on the page, not hanging over our heads and  inducing nightmares.

Would you like some more writer’s (un)blocking strategies from a top writing coach?

As a professional writing coach, I’ve boosted writers at all levels of experience out of their  writing block slump. Maybe I can help you!unlock-writer's-block-with-Jamie-Morris-writing-coach Schedule your free consultation.and check out Should I Hire a Writing Coach” in THE WRITER magazine.

Thanks to U.S. Games Systems, Inc. for kind permission to use the image of the Nine of Swords from the RIDER-WAITE (SMITH) TAROT.

Tarot and Writing: Meet the Two of Cups, Your Writing Coach

Tarot and writing seem a match made by the very best of old-school matchmakers! The 78 images that make up a tarot deck can inspire writers in many ways. As a writer myself, as well as in my role as a writing coach, I’ve found looking at the cards can spark our creative writing, suggest a solution to a specific literary problem, or even propose a way out of a writing slump.

No matter what issue we’re addressing, it can be fun to draw a tarot card and see what it has to offer about our current writing journey. In this case, I drew the Two of Cups. Here’s what this smart card had to say.

Tarot and writing: the Two of Cups on your writing process

If the Two of Cups were your writing coach, two of cups and your writing processshe’d ask you to be loving with yourself and committed to your writing project. In this card, we see a union occurring, two people are joining their intentions for a higher purpose. Often read as the card of new love (or even infatuation), we can also understand this as a contract being pledged.

What if that contract is between you and your writing? What promises are you giving? And what do you expect in return? I’ve read that a relationship isn’t really a 50-50 proposition, but a 100-100 one. If our relationship is with our writing, then it follows that we need show up fully (hello, butt in chair!), even when our writing is slow to respond.

Also, as in all partnerships, patience is a thing. Consider Corinthians 13:4-8: “Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs.”

If the Two of Cups were your writing coach, she might ask how you can apply these principles to yourself and the writing you love.

Want to talk about your writing with a top book writing coach?

I’d love to learn about your relationship to your writing project. As a professional writing coach, Jamie Morris Writing CoachI might have some helpful insights to share. Please click to schedule your free consultation. You might also take a look at the article Should I Hire a Writing Coach” in THE WRITER magazine.

Thanks to U.S. Games Systems, Inc. for kind permission to use the image of the Two of Cups from the RIDER-WAITE (SMITH) TAROT.

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