AS CHESS PLAYERS KNOW, figuring out a strategy takes time. You need to contemplate all your options—and anticipate, as best you can, what will happen as a result of each.
In this way, the Two of Wands is a bit of a chess player. A successful merchant, he is sitting pretty in his villa by the sea, examining the opportunities available to him and evaluating their risks. Since he’s so comfortable, any move he makes must offer enough potential return to make gambling what he’s got worthwhile.
Will he? Make the move? Take the risk?
He doesn’t have to. After examining his alternatives, the Two of Wands could happily turn his back on the possibilities and just retire to his pleasant villa, where, no doubt, a wonderful breakfast has been spread for his enjoyment.
Which is why he’s not actually a chess player. An actual chess player doesn’t have a choice. She has to make her first move, and then another, and another—until checkmate (or stalemate) occurs. In professional chess, there’s even a timer to push the players along. But there’s no timer for the Two of Wands. No real urgency to make a move. Because of this, he’s only banked embers, only stored potential—unless he acts.
So, what will that delicious breakfast cost him? If he turns his back on his opportunities, he may simply never know.
Tarot writing prompt
Put your character in a hard-earned sweet spot. Her life is just right. Describe it. Have her revel in it. Then (because if we’re not growing we’re dying), offer her an option, one that’s almost irresistible, but would require her to move out of her comfort zone. Let her equivocate. Evaluate. Then dial up the pressure. Ratchet up the stakes.
Write about two alternative outcomes:
1) She holds. (What does she lose by not taking the risk? And what cascade of events occur predicated on that loss?)
2) She leaps. (What pushed her to take a chance? And what happens—next and next and next—because she did?)
Novel-writing inspiration
For further ideas on why a character might hesitate to act, check out this blog post on reluctant heroes.
And, even more to the Two-of-Wands point, there’s a fabulous scene in the film STRANGER THAN FICTION, in which the Will Ferrell character locks himself in his apartment trying to avoid his story—a story that finds him, nonetheless.
For an example of high-stakes choice-making, (re-)read the Frank R. Stockton short story “The Lady, or the Tiger.”
You might also enjoy checking out some of the Choose Your Own Adventure stories!
Finally, because the evergreen Lewis Carroll should always have the last word, when possible, I present, for your further inspiration when dealing with dithering characters, “The Mock Turtle’s Song,” from ALICE’S ADVENTURES IN WONDERLAND.
“Will you walk a little faster?” said a whiting to a snail,
“There’s a porpoise close behind us, and he’s treading on my tail.
See how eagerly the lobsters and the turtles all advance!
They are waiting on the shingle – will you come and join the dance?
Will you, won’t you, will you, won’t you, will you join the dance?
Will you, won’t you, will you, won’t you, won’t you join the dance?
“You can really have no notion how delightful it will be
When they take us up and throw us, with the lobsters, out to sea!”
But the snail replied “Too far, too far!” and gave a look askance —
Said he thanked the whiting kindly, but he would not join the dance.
Would not, could not, would not, could not, would not join the dance.
Would not, could not, would not, could not, could not join the dance.
“What matters it how far we go?” his scaly friend replied.
“There is another shore, you know, upon the other side.
The further off from England the nearer is to France —
Then turn not pale, beloved snail, but come and join the dance.
Will you, won’t you, will you, won’t you, will you join the dance?
Will you, won’t you, will you, won’t you, won’t you join the dance?
***
Thanks to U.S. Games Systems, Inc., for kind permission to use the image of the Two of Wands from the RIDER WAITE (SMITH) TAROT.