Posts Tagged ‘book coach’

Why Butt-in-Chair Doesn’t (Always) Work for Writers

November 9, 2024

Do you wonder why butt-in-chair doesn’t always work for writers? I mean, in theory, it sounds great, right? You just show up at your tablet or notebook and let the magic fly!

Oh, if only that were true….

Instead, you may find that, while you do show up, sit down, and fire up your laptop, the results of your enforced writing sessions are anything but inspired. If that sounds familiar, you’re not alone. Simply disciplining yourself to commit to a regular writing schedule is great for building the writing habit. But it doesn’t always lead to creativity—or even progress.

Here are some reasons that just putting your butt in your chair may not garner the results you’re hoping for. And some strategies to help you do something about that.

Problem 1: Butt-in-Chair Can Feel Like a Chore (Ugh.)

Why it doesn’t work: After a while, sitting down every day—or even most days—can feel like a repetitive grind. This is especially true when you’re not getting new ideas after showing up so diligently. Creativity can’t always be scheduled.

What to try instead: Don’t just sit there! Involve yourself in activities that are likely to coax those fresh ideas out to play. For instance, you might try doodling scenes from your story or mind-mapping your idea with colorful markers. You could read an article on the topic you’re writing about—or even take a quick walk to gain perspective. You don’t need to produce scads of words every time you put your butt in the chair. Just showing up and courting your creative spirit may serve you better in the long run.

Problem 2: Butt-in-Chair May Overlook Your Creative Rhythm

Why it doesn’t work: If you’ve scheduled your writing for a time that doesn’t align with your natural rhythms, trying to produce good work can feel like pushing a boulder uphill.

What to try instead: If you notice you feel tired as soon as you sit down to write, experiment with writing at different times of the day. You probably already know whether you’re a morning person or a night owl. Take that, and any other self-awareness you have about your biorhythms, into account when deciding when to write.

You might also try to work in shorter blocks. Schedule thirty- or forty-minute sessions during those periods that you know you’re naturally more creative. You may actually find these quick writing bursts can lead to more productive output—and more creative work—than that which you generate during more forced, extended blocks.

Problem 3: Butt-in-Chair Doesn’t Offer You Guidance

Why it doesn’t work: Sitting down to write without a goal—or at least a sense of direction— can leave you feeling lost. In addition to making you wonder if you’ve just wasted all that time, you might also begin to question the value of your project—or, worse, your ability as a writer!

What to try instead: As a warm-up, when you sit down in your writing chair, sketch out a loose plan for the session. You might jot down a few goals for your writing time (small and manageable ones!) or bullet-point a few question you’d like to explore. You could also bring a writing prompt related to your current project to get you started. For example, if you’re writing a memoir, you could do a ten-minute free-write starting with the phrase “I remember.” And, if you have an outline, no matter how loose, keeping it nearby can help you jump right into the writing—which can provide direction and make your session more productive.

Problem 4: Butt-in-Chair Can Lead to Burnout

Why it doesn’t work: Writing for the sake of “showing up” every day can lead to burnout. This is especially true if you’re not seeing progress. “Progress” can mean the number of words you write or how your project is developing. Or (and maybe most importantly), “progress” can refer to how much you’re enjoying your own writing!

What to try instead: Sometimes, we just need to take a break. That could mean—gasp!—leaving your writing alone for a week or two. Or, instead of trying to produce fresh material with a burned-out brain, editing what you have, rather than drafting something new. You might even start a small side project—writing a short story, blog post, article, or interview—to change things up. Shorter writing projects can offer a quick shot of satisfaction that could refresh you and lift you from your burnout.

Problem 5: Butt-in-Chair Doesn’t Factor in Reflection Time

Why butt-in-chair doesn’t always work for writers: Constantly pushing forward, forcing words onto the page without reflecting on how those words are fulfilling your purpose, can keep you spinning in circles—or digging yourself into a rut.

What to try instead: Allow yourself time for “prewriting.” This can consist of jotting down ideas to explore or considering ways to organize your material. You might also try to think metaphorically about what you want to say. This might help you extend the possibilities or scope of your project. You could set aside an hour each week to review what you’ve written, too. That’s a great way to assess what’s working and consider ways to adjust your approach where needed. Or (and this can be more useful than you might think), simply spend some time wool-gathering or daydreaming in the general direction of your project. However you do it, reflection helps keep your writing process alive!

In BIRD BY BIRD, Anne Lamott gives great advice about all aspects of the writer’s life. If butt-in-chair isn’t working for you—or you feel stuck or blocked in any other way—and you haven’t read this treasure, now could be your moment!

Why butt-in-chair doesn’t (always) work for writers

Butt-in-chair does work—for some writers, some of the time. But it’s not a one-size-fits-all solution. If you’re finding it tough to stay motivated or make progress, try adapting your approach to fit your unique style. Writing is as much about finding what works for you as it is about getting words on the page. Whether your butt is in your chair or you’re running laps around your neighborhood, shouting into your voice-to-text device, find ways to make writing fresh and fun. You and your readers will both reap the benefits.

Am I Even a Writer? On Writing Identity and Practice

October 26, 2024

Am I Even a Writer? On Writing Identity and Practice

I’m excited to share that I’m working on a new book titled Am I Even a Writer? This quick-read, available on Amazon in January 2025, explores questions at the heart of what it means to be a writer, including issues of writing identity, writing practice, self-permission, and authenticity. A conversation-in-print, Am I Even a Writer? is meant to offer insights and inspiration to anyone who’s wondering if they can truly call themselves a writer.

The book is based on the first of five deep, wide-ranging conversations I had with my friend Melissa Jo Hill on our podcast Jamie Helps Mel Write a Novel. During this initial conversation, Mel and I touch on worries about our identities as writers and whether a writing practice might help us feel more like the “real thing.”

As a writing coach, I’ve worked with many folks who are passionate about writing–but who may stumble over creative self-doubt: Am I a real writer? they might ask. Or, Do I have the skills to tell my story effectively? Through insights, practical reflections, and shared stories, Am I Even a Writer? On Writing Identity and Practice invites readers to consider these and other questions about what it means to be a writer, along with Mel and me.

Of course, writing is more than just putting words on a page. We can write as a personal practice, a way of exploring who we are; or as a way to share our stories with others—and for a hundred other nuanced purposes in between. In Am I Even a Writer? we’ll consider the value of having a writing practice and what having a practice does (or doesn’t) mean about our identity as writers.

Does Writing Practice Make Perfect?

Whether you do free-writing exercises, daily journaling, or sit down at your desk regularly to develop outlines, scenes, or chapters, writing practice can you make sense of your thoughts, unlock creativity, and deepen your connection to your work. But is writing as a practice—albeit one that allows us to explore without judgment and find our voice at our own pace—a prerequisite to calling ourselves “writer”?

Am I Even a Writer? On Writing Identity and Practice is meant to be encouraging to anyone on the writer’s path. Short and sweet—and funny and poignant—this tiny pocket guide to big questions is a quick, approachable read. Am I Even a Writer? will be available on Amazon in January 2025. I invite you to join Mel and me then to share in this journey of self-reflection, practice, and connection.

In the meantime, I hope you’ll explore the writing resources on my site for tips, prompts, articles, and discussions to support your writing journey.

10 Ways to Use Backstory in a Novel or Memoir

September 11, 2024

When we consider backstory, we see it is a crucial element in any novel or memoir. Backstory adds depth and complexity to characters and plot. But how do you use it effectively without overwhelming your readers or slowing down the narrative? In this post, we’ll explore 10 ways to use backstory in your writing, and we’ll highlight some common mistakes to avoid.

What Is Backstory and Why Is It Important in Writing?

Backstory refers to the events and experiences that happen before the start of your novel or memoir. It’s what shapes your characters’ motivations, fears, and desires. When used well, backstory adds richness to your narrative and helps readers connect with your characters on a deeper level.

10 Ways to Use Backstory in Memoir vs. Novels

For memoir writers, backstory functions a little differently than in novels. Since a memoir is a reflection on the author’s real life, backstory often serves to contextualize key moments. While novelists create fictional pasts for their characters, memoir writers use backstory to explain personal events, emotional growth, or formative experiences that influence the main narrative.

Memoir backstory also has an added layer of authenticity and emotional resonance because it’s grounded in reality. However, like in fiction, memoirists must balance how much of their past they reveal at once. The trick is to provide enough backstory to make the present compelling without overwhelming readers with unnecessary details.

1. Drip Backstory in Slowly

Instead of overwhelming readers with all the details at once, reveal your character’s past gradually. A slow, steady reveal builds intrigue and keeps readers invested.

What Not to Do: Avoid info dumps—long, dense passages of backstory that stop the story in its tracks.

2. Make Backstory Relevant to the Plot

Use backstory to explain character motivations or drive the plot forward. If a backstory detail doesn’t affect the present, leave it out.

What Not to Do: Don’t include backstory that doesn’t have an impact on the character’s current journey or decisions.

3. Reveal Backstory Through Dialogue

Let characters naturally reveal parts of their backstory through conversations. This adds depth without slowing the plot.

What Not to Do: Don’t make characters awkwardly state known facts. Dialogue should flow naturally, not feel like an exposition dump.

4. Use Flashbacks Sparingly

A flashback is a narrative device that shows events from the past as if they’re happening in real time, in a fully dramatized scene. This allows the reader to experience the moment vividly, as though it’s unfolding in the present. Flashbacks are powerful but should be used with caution. A well-placed flashback can shed light on pivotal moments in a character’s past.

Memoir writers often use flashbacks to return to specific memories that explain personal transformations or life-changing events. Just like in fiction, memoir flashbacks should illuminate something relevant to the current timeline.

What Not to Do: Too many flashbacks can disrupt the pacing of your novel or memoir.

5. Tie Backstory to Character Motivation

Ensure that your character’s backstory explains their present behavior. This gives readers insight into why your character makes certain choices.

What Not to Do: Avoid backstory that feels disconnected from the main plot or doesn’t influence the character’s actions.

6. Show, Don’t Tell

Instead of telling readers about your character’s past, show how it impacts their present through actions and behavior. For example, a character with trust issues may hesitate to form close relationships, hinting at their backstory.

What Not to Do: Don’t rely on long internal monologues to explain the past.

7. Use Sensory Details for Backstory

Ground backstory in sensory experiences like smells or sounds. This makes the flashback or memory more vivid and emotional for readers.

What Not to Do: Avoid sensory overload. Too many details can overwhelm the reader and detract from the main story.

8. Let Readers Fill in the Gaps

Allow readers to infer parts of the backstory on their own. This can create a sense of mystery and make the eventual reveal more satisfying.

What Not to Do: Don’t leave critical parts of the backstory too vague—readers need enough information to understand the story.

9. Show How Backstory Affects Relationships

Backstory is essential in showing how characters’ relationships evolve. Conflicts or bonds formed in the past can explain present tensions or alliances.

What Not to Do: Don’t let backstory drive all character dynamics. Present interactions should develop relationships, too.

10. Use Backstory to Create Conflict

Use unresolved issues from the past to add tension to the current plot. A buried secret or a past failure can create conflict and keep readers engaged.

What Not to Do: Don’t let the backstory overshadow the main plot. The past should enhance the present, not dominate it.

Avoid These Mistakes When Applying Any of the 10 Ways to Use Backstory

Don’t Overload the Beginning: Introduce backstory gradually; readers don’t need to know everything upfront.
Avoid Clichés: Overused tropes, like tragic childhoods, can feel stale unless you bring a fresh angle.
Don’t Use Backstory as a Crutch: Characters should still be accountable for their actions, regardless of their past.

In Conclusion: Backstory, when used effectively, can enhance the emotional depth of your novel or memoir. By introducing it gradually, making it relevant, and tying it into character motivation, you’ll keep your readers engaged without slowing down the action. Mastering the balance between past and present will enrich your story and deepen the connection between your characters and your readers.

How to Plot Your Novel Without Losing Your Mind

September 11, 2024

If you’re a writer looking to plot your novel without feeling overwhelmed, you’re in the right place! Whether you’re just getting started or stuck in the middle, plotting doesn’t have to be complicated. This guide will show you how to structure your story, build tension, and keep your readers hooked—without losing your mind.

Why Plotting Matters for Writers

At the heart of every great novel is a well-thought-out plot. If you’re struggling to turn your ideas into a cohesive story, don’t worry. A little structure can go a long way. In this post, we’ll break down the steps to creating a plot that’s compelling and easy to follow.

Step 1: Start with the Basics

At its core, a plot is about a character (or characters) who wants something, but things aren’t going their way. Think about your main character. What do they want more than anything? And what’s standing in their way? These questions help you establish conflict, which is the driving force behind any good plot.

Once you know what your character wants, it’s time to develop the events that will guide your story from beginning to end.

Step 2: Build Rising Action to Keep Readers Engaged

The rising action is where your character faces challenges, and the tension builds. As a novelist, this is your chance to test your character’s limits—both physically and emotionally. But make sure these obstacles feel like they’re progressively getting tougher. Your readers should feel the stakes rising with each chapter.

During this phase, it’s essential to include a **low point** or “dark night of the soul” for your protagonist. This is the moment when everything seems to be falling apart. Your character may feel like they’ve failed, or their goal is completely out of reach. This emotional low point is critical because it sets the stage for their ultimate victory—or their transformation.

Including this low point adds depth to your novel and gives your readers a reason to root for your character as they fight to overcome their struggles.

Step 3: Hit the Climax

The climax is the most intense part of your novel—where all the tension comes to a head. This is the moment your readers have been waiting for, where your character faces their biggest challenge. Whether it’s a dramatic battle, a critical decision, or a life-changing confrontation, the climax should feel like the peak of your character’s journey.

For a strong climax, make sure it challenges your protagonist’s deepest fears or desires. Readers should feel the weight of this moment and understand that everything your character has been through has led to this turning point.

Step 4: Finish with a Satisfying Resolution

After the intensity of the climax, your readers will want to see how everything wraps up. The resolution is where you show the aftermath of the climax—what has changed for your character, and how they’ve grown. A well-crafted resolution ties up loose ends and gives your readers a sense of closure.

However, not all stories need a perfectly happy ending! Sometimes, a bittersweet or open-ended conclusion can leave a lasting impact and feel more realistic.

How to Plot Your Novel Successfully: Bonus Tips

Use a Loose Outline: Even if you prefer to write organically, having a basic outline can help keep your story on track. It doesn’t have to be detailed—just enough to guide your plot without boxing you in.

Let Your Characters Drive the Plot: If you get stuck, think about what your characters would do next. Often, staying true to their motivations will help the plot unfold naturally.

Stay Open to Surprises: Don’t be afraid to follow unexpected ideas that come up while writing. Some of the best story moments happen when you’re willing to deviate from your original plan.

Knowing How to Plot Your Novel Is the Key to Success

Plotting a novel can feel overwhelming, but taking it step by step makes it much easier. By understanding your character’s desires, building conflict, and incorporating a powerful climax, you’ll create a story that captivates readers from start to finish.

Remember, there’s no one “right” way to plot a novel. As long as you stay true to your characters and the emotional journey of your story, the plot will fall into place.

So, take a deep breath, grab your metaphorical machete, and start plotting your path through the jungle of storytelling. With these simple steps, you’ll be well on your way to writing a novel that’s full of heart, tension, and excitement—all without losing your mind.

Why Your Story Matters in Today’s World

September 10, 2024

As a writer, you’ve probably heard that little voice in your head—the one that whispers, “Is my story really worth telling?” Let me assure you, it absolutely is! Whether you’re penning the next great fantasy epic or crafting a heartfelt memoir, your unique voice brings something to the world that no one else can. So, let’s silence that inner critic and dive into why your story matters in today’s world!

1. Your Perspective is Unique—Here’s Why Your Story Matters

The world has billions of people, but only one you. That’s pretty extraordinary! The way you see the world, the experiences you’ve lived through, and the lessons you’ve learned are all things no one else can replicate. It’s tempting to think, “Surely someone else has already told this story,” but no one else can tell it the way you can. Even if your story is about dragons or post-apocalyptic worlds, your take on it will be different from anyone else’s. Readers are always on the lookout for fresh, authentic perspectives!

2. Stories Create Connection

Ever read a book and thought, “Wow, this author gets me!”? That’s the magic of storytelling. Stories bridge gaps across time, space, and experiences. Whether your readers are nodding in agreement, crying alongside your characters, or laughing out loud, you’re making them feel seen. You’re offering a piece of yourself that resonates on a deep level, and that connection is powerful. By sharing your story, you help others understand themselves, their relationships, and the world around them.

3. Overcoming Self-Doubt is Part of the Writing Journey

Let’s face it: if you’ve ever second-guessed your work, you’re in good company. Every writer has faced the dreaded imposter syndrome at some point. The trick isn’t to make it disappear—it’s to write through it. Writing is a process, and no one expects perfection on the first try (or even the tenth!). The more you write, the more you learn to trust your instincts. Every writer has their “What am I even doing?” moments—you’re not alone!

4. The World Needs More Stories—Including Yours!

It’s easy to think the world doesn’t need another story. But readers are constantly searching for fresh voices. Even if your story feels small or ordinary, trust me—it has the potential to touch someone deeply. Maybe your story will offer comfort to someone or inspire them to chase their own dreams. Imagine a reader out there, waiting for exactly the kind of story only you can tell.

5. Celebrate Every Milestone in Your Writing Journey

Writing a book can feel like an uphill climb, but every step counts. Finished a chapter? Celebrate! Typed “The End”? Celebrate again! Writing a book is no small feat, and it deserves recognition at every stage. By celebrating your milestones, big or small, you’re making the process more enjoyable and keeping the momentum going.

“Novel” Solutions for Writing a Novel

September 7, 2024

In this article, you’ll find some “novel” solutions for writing a novel. Based on tarot and oracle cards, the ideas below will give you concrete, yet imaginative, ways to home in on and resolve stuck places in your book or writing process.

You’ll need a tarot or oracle deck for these exercises.You’ll find many cool decks on Amazon. Because this one, TAROT FOR BEGINNERS, has meanings printed right on the cards, it might be particularly useful for the exercises below.

Solve your novel-writing problems—with cards!

Tarot and oracle decks provide both rich imagery and specific concepts for each card. Because of this, every card can offer you a new direction or perspective when you’re stuck in your novel-writing process.

While you could simply draw a single card to advise you about your writing project, novelist MK Swanson of Writing Dreamer created two multiple-card spreads to offer more targeted solutions for writing a novel. The first, the By the Plot Clock Spread, takes you on a journey around your story, making sure your plot points are sturdy and compelling. In the second, the Muddy Middle Spread, MK offers a map to guide us through the swampy middle of our narrative, by illuminating a solid path forward.

In addition, she’s shared some ideas for using the cards to support our novel-writing efforts. Thanks, MK!

Using Cards to Create Solutions for Writing a Novel:

Shuffle the deck while focusing on your writing question, issue, or creative block.
Draw the required number of cards for your chosen spread and lay them out in front of you.
Refer to both the meaning of the cards (as written on the card or in the accompanying booklet) and their images. This approach offers you a balance of guidance and creative flow. Use the text to ground your thinking, and let the image open up possibilities.
Journal your reactions to each card, noting what stands out to you. Write freely and see where your thoughts take you.

By the Plot Clock Spread

This spread follows the arc of a story from beginning to resolution, guiding you through key plot points and character development. It’s ideal for outlining a story or deepening your understanding of the narrative flow.

How to Use the Spread:

Shuffle the deck with a specific story or project in mind.
Lay out seven cards in a clockwise circle, like the hours on a clock.
Interpret each card based on the stage of the story it represents, using both the card meaning and image to explore plot, emotional depth, and character evolution.

Card 1: Beginning

The story begins, introducing the main characters and the setting.

What to look for: This card sets the tone and mood of the story. It reveals the protagonist’s world, their current state of mind, and any key relationships. The card may offer insight into the setting or atmosphere.
Questions to ask: Who is the protagonist at the start? What is their world like before the conflict?

Card 2: Inciting Incident

A conflict disrupts the protagonist’s world.

What to look for: This card introduces the central conflict or problem that will drive the story. It shakes up the protagonist’s life and creates the main tension of the narrative.
Questions to ask: What external or internal event disrupts the protagonist’s status quo? How does this challenge their current reality?

Card 3: Binding Point

After resisting the pull, the protagonist is drawn into their story.

What to look for: The protagonist initially hesitates but is eventually compelled to take action. This card explores the moment they commit to the journey, whether willingly or reluctantly.
Questions to ask: What pushes the protagonist into action? How do they react to being drawn into the story’s conflict?

Card 4: Obstacles

Obstacles and complications test the protagonist’s resolve and abilities.

What to look for: This card highlights the challenges the protagonist faces on their journey. These obstacles may be external (antagonists, events) or internal (self-doubt, fear).
Questions to ask: What are the key obstacles standing in the protagonist’s way? How do these challenges test their abilities or growth?

Card 5: Low Point

The protagonist is at their lowest, and must change to succeed.

What to look for: This card represents the protagonist’s lowest point, where they feel defeated or lost. It also signals a turning point where change is necessary for them to move forward.
Questions to ask: What brings the protagonist to their lowest point? What realization or transformation must they undergo to rise from this?

Card 6: Climax

The protagonist faces their greatest fears and the main conflict is resolved.

What to look for: The protagonist confronts their deepest fears and the story’s main conflict reaches its climax. This card reveals the resolution of the story’s central struggle.
Questions to ask: How does the protagonist face their greatest fear? What is the key moment of resolution?

Card 7: Resolution

Plot, emotional, and thematic conflicts are resolved.

What to look for: The final card represents the story’s conclusion. It wraps up the plot and emotional journey of the protagonist, resolving both external and internal conflicts.
Questions to ask: How has the protagonist changed? What thematic or emotional lessons have been learned? How does the story come to a satisfying resolution?

This spread helps you create a complete narrative arc, from introduction to resolution, guiding you through each critical step of the story. Let the cards inspire you to develop rich characters, layered conflicts, and a transformative journey for your protagonist.

Muddy Middle Spread

This three-card spread is designed to help you push through the “muddy middle” of your story—when momentum slows, and the way forward feels unclear.

Card 1: The Current Struggle

What’s causing you to feel stuck in the middle of your story?

This card identifies the source of the stagnation—whether it’s plot, character motivation, or a lack of clarity about where things are headed.

Card 2: The Missing Element

What’s needed to get the story moving again?

This card reveals what’s missing—a plot twist, a character’s motivation, or even an unexpected development that can reignite your creative energy.

Card 3: The Way Forward

What direction should you take to move past this blockage?

This card offers a clear action or path to get you out of the murky middle and back into the flow of your writing.

Use this spread to break free from the slow, sticky parts of your story and gain clarity on how to push forward with renewed momentum.

Feel free to experiment with these spreads or invent your own. The cards are tools to help you unlock creative ideas and overcome challenges, whether you need clarity, inspiration, or a fresh perspective. Happy writing!

Writing Coaching for Older Writers

December 2, 2023

In the past week, I’ve been contacted by four writers, all in their sixties or seventies. Each of them is relatively new to writing. And they are all excited to finally embark on their long-held writing dreams. But where to start? When I offer writing coaching for older writers—perhaps like you?—I suggest we begin by exploring your wealth of experience, looking for the aspects that will most benefit you on your writing journey.

Writing coaching for older writers gives direction to writing dreams!

All your life lessons apply!

If you have reached your middle or later years without gaining literary traction, you may wonder, Is it too late for me, now? As a writing coach for older writers, I’ve learned that older writers may be much better-prepared for learning their craft than younger writers. Mastering the writing craft can take time. And as older writers (yup, me, too), we may have developed the patience that will help us onboard those important skills.

In fact, by fifty or sixty or seventy, many folks have learned how they learn best. We can capitalize on that knowledge to make the most of educational resources and opportunities. For instance, will we do better with an online class or with personalized instruction? Or maybe we’ve found that we are actually autodidacts, able to teach ourselves what we need to know?

Writing coaching for older writers: habit patterns and perspective

As we get older, we get better acquainted with our own preferences. This awareness helps when we’re engaging in a writing project that may demand a long-term commitment from us. Knowing, for example, that we’re an inveterate night owl, not a lark, allows us to schedule our writing when we know we’ll be most productive.

And because our years have taught us more about what it means to be a human being, our work will be more meaningful and deeper than anything we could have written earlier in our lives.

First-time writers take heart

NEW YORK TIMES‘ ADVICE COLUMNIST ROXANE GAY has addressed concerns that newer or unpublished middle-aged-ish writers may have. She says, Throughout my 20s and most of my 30s, I was convinced I was never going to make it as a writer. My writing was constantly rejected, and I took the rejection personally, as one does. It is easy to fall prey to the idea that writing success is intrinsically bound to youth, she says.

But what about getting published?

THE GUARDIAN recently published an article about the opportunities for older women writers. In it, Cherry Potts, the founder of the independent publisher Arachne Press, has much to say about the “ripple” opening doors for women over seventy.

She says, “There has been a sea change in publishers’ understanding and acceptance of older women’s experience and their voices, which are no longer dismissed as safe or cosy. It started with small presses like us but our ripple is now working through to the industry as a whole.”

In ON WRITING, Stephen King has something to say about older writers! “Agents, publishers, and editors are all looking for the next hot writer who can sell a lot of books and make lots of money … and not just the next hot young writer, either. Helen Santmyer was in a retirement home [in her eighties!] when she published AND LADIES OF THE CLUB. Frank McCourt was quite a bit younger [66] when he published ANGELA’S ASHES, but he was still no spring chicken.

Kit de Waal’s first novel, MY NAME IS LEON, was published when she was 56.

Harriet Doerr’s first novel, STONES FOR IBARRA, was published when she was 74 years old. It went on to win a National Book Award.

Then, there’s Sir Christopher Bland, who was 76 when his first novel, ASHES IN THE WIND, was published. Today, the Royal Society of Literature has established the RSL Christopher Bland Prize, to encourage the work of older writers. The £10,000 prize is awarded annually to an author who was fifty or older when they were first published.

Starting to write later in life? Writing coaching for older writers can help you get off to a great start!

If you’ve waited to explore your writing dream, you have likely seen many trends come and go in the world of literature. I’ve been coaching writers of all ages for over a dozen years. Let’s see if we can put my experience in the publishing industry to good use in the service of your long-deferred writing goals. Start by scheduling a free writing consultation with me. You might also want to check out THE WRITER mag article “Should I Hire a Writing Coach.”

Thank you to U.S. Games Systems, Inc. for kind permission to use the image of the Seven of Swords from the DRUIDCRAFT TAROT.

Writing Coaching Inspiration: One River Is Like Another River

November 14, 2023

Working with writers can be tricky. They’re on a wild and unpredictable journey. As a coach, I want to help—but sometimes a writer’s goals can prove out of their (current) reach. That’s when I reach deep into my bag of writing coaching inspiration. I need to pull out something that both acknowledges the hard truth they’re facing and offers reassurance that there are still fine opportunities likely to arise for them.

Recently, I read a beautiful ancient tale—one of discouragement followed by unlikely success. Told in Dianne Skafte’s LISTENING TO THE ORACLE, it’s the story of a Greek soldier who loses his way in enemy territory. He is supposed to meet up with his troop on the banks of a certain river. They plan to board a ship there and travel to a town friendly to their cause. Having hired a guide to help him get to his destination safely, the soldier is devastated to find he has been led to a different river!

He berates his guide, only to be met with a shrug—and this enigmatic response: “One river is like another river.” What? But in fact, appearing on the shores of this river is a small boat captained by a man who agrees to take the soldier back to the friendly town that was his original aim.

Once the soldier disembarks from the small boat in the town, he learns, to his horror, that the ship with his mates was captured and all aboard were killed.

Writing coaching inspiration

The soldier was not able to reach the river he aimed for. But he was guided to another river that carried him to safe harbor.

Similarly, when we set our sights on big writing goals, it may be that we can’t reach them—or not at this time. Whether we want to publish in a major magazine or attract an agent to represent us, our desired outcomes may be (temporarily) unattainable.

That’s when it’s time to scout out another river. Reset your goals. Aim to get published in a regional magazine, rather than in O Magazine. Agents can be tough to impress. Consider submitting your manuscript to small press editors instead. Match your target to your current abilities to meet it.

Fortunately, different from this Ancient Greek tale, no one is likely to die in the literary trenches. But when we’re rejected, it hurts. Still, it’s a wise Modern writer who will remember the motto of that Ancient Greek guide. One river is like another river. So look around. A boat you never imagined might appear on a river you didn’t notice. And you might find, ultimately, you are carried exactly where you want to go.

Need some clarity about your writing goals? A consultation with a top writing coach might help! Let’s chat.

Writing is a powerful and compelling endeavor. If you are setting goals but not meeting them, though, you might need a different approach—or more nuanced goals. With over a dozen years’ experience helping writers take their work to the next level, I might be able to show you how to make similar strides. Schedule a free writing consultation with me. Also, check out THE WRITER mag article “Should I Hire a Writing Coach.”

Why Hire a Book Coach: Jen’s Story

September 14, 2023

Perhaps you’re wondering, Why hire a book coach? Jen’s story, below, will give you a novel writer’s first-hand experience of working with a professional book coach.

When Jen first contacted me, she’d completed a Young Adult (YA) novel and had already been under contract with a literary agent for a year. Unfortunately, the agent was not able to sell the book. The editors rejecting Jen’s manuscript said things like: “The plot was slow-moving,” “I found my interest waning by the third chapter,” and “I couldn’t quite connect with the main character.”

Finally, mutually frustrated, Jen and her agent parted ways. This brought Jen to a come-to-Jesus moment with her literary career—and led her to hire a writing coach. I’m delighted that coach was me! And I’m so happy to share Jen’s thoughts on our process together.

Why hire a book coach: Jen shares her story

If you’re a writer, you spend a lot of time in your own head. If you’re not a writer, that might sound weird to you, but trust me—it’s fun! There are people in there, and they’re doing interesting things: falling in love, learning magic, murdering their families. Writers’ heads hold maps of cities and castles and the location of quicksand. They’re populated by talking animals, ghosts who refuse to speak their needs clearly, and, maybe, if we’re really good planners, several generations of violent family trauma.

See? Fun!

Writers, however, aren’t content to hang around in their own brains by themselves forever. We writers want to show-n-tell the insides of our brains to the world. And we want the world to love what they see. And pay us for it.

So we sit down to our laptops and we type for many years. And then we send our manuscripts to our friends and family and wait for them to say they like it. And then we email our manuscripts to carefully researched agents in New York who we’re sure are going to love it. And then we die when we receive piles of rejection letters.

But we revive ourselves and do it again. And again. Maybe we do it three times before we stand in front of our haggard reflections and ask ourselves if we should stop—forever.

We don’t, though, either because we really loved show-n-tell (and we’re still mad that Mrs. Walsh mismanaged her time and missed our turn on the last week of second grade) or because there’s something in our bones that won’t let us stop.

When to hire a book coach

After all those rounds of rejection, we realize it’s time to do something different. If we’ve got several years of free time on our hands—not to mention a spare $50,000—maybe we go back to school for a Masters of Fine Arts (MFA) in writing.

If we don’t have that luxury—and I didn’t—I highly recommend hiring a book coach.

If you’re intimidated by the cost of a writing coach, you might want to research the cost of a three-credit graduate class on novel writing. Then consider the fact that you’d be sharing your professor with your classmates. Not only that, but your class will likely end long before you finish a first draft, let alone your second.

When I found Jamie, I was in the middle of my MA in Special Education, and it put the cost in perspective. By the age of 35, I had invested tens of thousands of dollars on myself as a teacher and only a few hundred dollars on myself as a writer. I decided it was time to change that.

Why hire a book coach if you have a finished manuscript

I came to Jamie with a finished manuscript—my first foray into writing adult fiction, rather than my seemingly unmarketable YA novels. But no matter how many times I revised it, it wasn’t working.

We decided to go back to the beginning of the process—back to story concept. That meant I had to trust Jamie with the raw contents of my brain, and it wasn’t easy. Jamie, however, is a big fan of raw brain. She’s an idea zombie, if you will—deeply interested in the process. I learned to trust her to help me untangle the contents of my gray matter and weave them into a cohesive story, one that connects with readers.

Not show-n-tell

Writing a novel is inherently a lonely process. While it may not be show-n-tell, writing is a way to make a human connection. (Maybe AI is going to write the next novel. And maybe it will be entertaining. But I daresay readers want satisfying connections with characters, understanding that another human designed that character and her journey.)

Leo Tolstoy said, “Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all.” Writing 400 pages of the secrets of your soul just to receive a “no thanks” earns you membership in an especially sad club.

You start to wonder if there’s something wrong with you—something about your secrets that really are uncommon.

And then you meet Jamie, who tells you that’s crazy, to get back to work. The issue isn’t that you’re too weird, she’ll say. It’s that you’re not being weird enough. From there, you discover the secret to connecting to readers is mastering the craft. It’s a skill. It’s hard work. That narrative structure, the Hero’s Journey—the one that’s been in literally every story ever since the dawn of human language—it exists for a reason.

No, it’s not easy to master. But Jamie is a plotting expert with a keen eye for characterization. She’s a voracious reader with a book recommendation for exactly what you need to work on this month. She’s a cheerleader and a tough-love distributor. Family and friends will pretend to like your work when it’s bad. Jamie will not. She’s your personal trainer who’s going to tell you that you need to work harder, but she’s also going to make sure you’re not wasting your valuable time working harder on the wrong things.

Welcome to the book coach reality show

Working with Jamie hasn’t exactly been the show-n-tell I’ve wished for; it’s more like being a contestant on one of those reality TV shows. You know. The ones where the straight-shooting declutterer holds your hand as you tearfully toss four of your five chipped Teflon pans into a distended garbage bag. Just like that host, though, Jamie reassures you that, somewhere, behind those dutch ovens and glass casseroles, there’s going to be a story people—editors included—will love.

And I believe her.

—Jen Russ

Struggling to get published? A top book coach might help! Let’s chat.

I love story—and the characters that live through their stories. I’ve helped many novelists develop their plots in ways that make them more engaging and more marketable. If you’re working on a novel and wonder how to make it more successful, schedule a free writing consultation with me. Also, check out THE WRITER mag article “Should I Hire a Writing Coach.”

Book Coach Tips for Writing a Successful Novel

September 10, 2023

As a professional writing coach, I always want to support writers in their quest for success. This month, my post “Book Coach Tips for Writing a Successful Novel” focuses on the most important aspects of novel writing. I also include resources that will help you level up your novel-writing game.

Tips for writing a successful novel: Voice + character

Job one, connect your reader to your main character (MC). While we often think that readers are more interested in the plot of our stories than our characters, that’s not quite true. What’s funny, perhaps ironic, is that while readers generally think plot is the main draw for them, they’re actually wrong! (Most of the time. Generally speaking. In this book coach’s experience.)

In fact, what pulls a reader into a story first is voice. While the back jacket copy’s catchy synopsis of your story is what gets a reader to open your book, the voice your potential reader meets on page one must hook them.

Voice conveys attitude—usually, your main character’s attitude. It’s how you introduce your character, and it sets the tone for your reader’s experience. (It’s similar to a vacation destination: Some readers hate the snow. They won’t book a ski vacation! But another reader might love the crisp chill of your character’s voice.)

If the voice is engaging, you will keep your reader’s attention long enough to reveal your character’s need, goal, dilemma—those elements of story that integrate character with plot. If your reader finds your character sympathetic, they’ll tumble down the rabbit hole of your story, committed to seeing how your character fares.

Tips for writing a successful novel: Plot

As mentioned, readers tend to think that plot drives their reading choices. And a well-turned plot with a strong hook will certainly get your book “read-more” clicks! Whether your story is high concept or not, your plot should drag your main character into situations, environments, and relationships that, in her ordinary world, she would avoid at all costs.

Convince your reader that your MC has no choice but to involve herself in the dire circumstances you’ve built for her. Do this by creating irresistibly compelling stakes: putting her loved ones in danger, perhaps, or forcing her to face illness, financial ruin, or loss of her hard-won reputation.

Once your MC has embarked on the roller-coaster ride of her story, make sure there are no exit ramps along the way (sorry, mixed metaphors). In fact, you want to keep escalating the stakes! Push your MC to continually face new challenges as she tries (desperately!) to either meet her initial goal or to succeed in whatever glass-mountain-climbing task your story has provided her.

However you play it, for your main character, there must be no way out but through. And every plot point you create should enforce this. (My deepest sympathies to your main character!)

Resources for novel writers

There are many masters of the novel-writers’ craft. And, fortunately for us, quite a few of them have written books to guide us on our writing path. As a long-time writing coach, I’ve found several that I recommend quite often. Here’s a short list for you.

THE SECRETS OF STORY, by Matt Bird

PLOTTING YOUR NOVEL WITH THE PLOT CLOCK, by Jamie Morris, et al

HOW TO WRITE A DAMN GOOD NOVEL, by James N. Frey

PLOT & STRUCTURE: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish, by James Scott Bell

SAVE THE CAT WRITES A NOVEL, by Jessica Brody

You might also enjoy my article “How to Write a Novel” or be interested to learn more about how successful authors have used my Plot Clock method to get their novels agented and published.

Interested in receiving personalized book coach tips for writing a successful novel? A free chat with a top writing coach can offer just that!

Novels and their authors are near and dear to my heart. Over the last decade, as a professional writing coach, I’ve helped many novelists take their books to the next level. If you’re working on a novel and wonder how to make it more successful in the current market, let’s chat. Schedule a free writing consultation with me. Also, check out THE WRITER mag article “Should I Hire a Writing Coach.”

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