Posts Tagged ‘writing coaches’

Tarot Writing Coach: Four of Coins

Tarot writing coach? What?! Why?! Although I’m a professional writing coach, I still need the occasional new insight—for myself and my clients. I’ve found tarot’s 78 intriguing images can definitely inspire us! When writers need an out-of-the-box solution, tarot can act as a writing coach and help them find fresh ideas.

Tarot writing coach to the rescue!

For instance, when my memoir writing client Jeanine wondered why she wasn’t getting more traffic on her blog—which houses lovely vignettes from her life—we consulted the cards to see if they might offer an angle we hadn’t considered.

Although Jeanine was in the early stages of her book-writing process, she knew she intended to publish her memoir. So, building a base of engaged readers was important for her. That was why she’d started her blog. But it wasn’t garnering the interest she’d hoped it would.

Looking for further ideas, we drew the Four of Coins from the Anna.K Tarot. A person sneaks a gold coin to show tarot as a writing coachThis card reframed Jeanine’s issue perfectly! Using the image as a metaphor for Jeanine’s situation, we saw that she has the literary goods (the coins), but doesn’t want to share them!

Although she is posting on her blog, she’s reluctant to publish her work on any other social media platforms. Like the figure in this card, it’s almost as if Jeanine is trying to hide the gold of her writing from others’ eyes.

A writing coach’s solution

Once we saw Jeanine’s dearth of blog visitors from tarot’s point of view, we realized the issue could be resolved by her sharing her beautiful work more widely. For advice on how Jeanine might do so, I turned to author and artist Austin Kleon. In his book SHOW YOUR WORK! 10 Ways to Share Your Creativity and Get Discovered, Kleon shares a bevy of options—beyond the blog—for an aspiring memoir writer to choose from.

(If you, like Jeanine, are ready to try some low-risk strategies for sharing your writing, I’ve written an article that discusses Kleon’s ideas and includes several of my own. Take a glance at Publish Your Writing Now: Whisper, Shout, Hit Send!”)

What else could the Four of Coins have to say?

If the Four of Coins were your writing coach, it might suggest you share your resources with other writers. For example, you could host a monthly critique group for writers who need support. Maybe you could review a friend’s manuscript and give her feedback. Or what if you read parts of your work-in-progress at a nursing home or senior center?

This card’s bottom line? Share the gold of your writing and your experience. It will benefit both you and those in your writing world.

Would you like to discuss ways to get your writing out into the world with a top writing coach?

I’d love the chance to hear about your story and offer you some support from my many years of experience helping writers become authors. If you’d like to chat with me, Jamie Morris Writing Coachschedule a free consultation. Also, check out this article: Should I Hire a Writing Coach” in THE WRITER magazine.

 

Thanks to Llewellyn Worldwide for kind permission to share this image from the Anna.K Tarot.

How a Book Writing Coach Critiques Your Book

Jamie Morris Writing CoachWhether your book writing coach calls it a “critique,” a “review,” or an “evaluation,” they mean the same thing. Your coach will read your work and give you their professional feedback on essential elements of your manuscript.

But wait! Does that sound scary?

For many writers, the idea of a critique—no matter what term we use to describe it—can be anxiety-producing. If you’re worried about sharing your work with a professional writing coach, here’s something to keep in mind. Your coach is not assessing your work to judge you, but to help you achieve your writing goals! As part of your book-writing team, your writing coach has only one objective—to support you.

To support you effectively, when you hire a book coach, the first thing they’ll want to do is evaluate your book-in-progress. It doesn’t matter how far along your book may be. You might only have an idea for a book. If so, that’s fine! In that case, your book coach will work with you to develop an outline or a synopsis from that initial concept. Whatever you have in hand—an idea, an outline, a partial draft, or just a few chapters—your new coach will want to get a feel for where you are in your book-writing process.

This initial critique will allow them to give you feedback on what’s working and what needs further thought. And it’s a great way to get the writing-coaching ball rolling in the right direction.

What your book writing coach looks for …

Writing a novel?

Specifically, if you’re writing a novel, your novel writing coach will probably ask you for a synopsis, a character list, a rough plot outline, and a sample chapter or two. From these materials, your coach will be able to review your story for significant story elements. They will want to know, is your pacing tight and suspenseful? Do your characters’ voices support the general tone of your story? Is your main character facing enough of a challenge to create their all-important internal arc?

You and your coach will discuss these and other aspects of your novel-writing craft after their review of your materials. From there, you’ll create a road map of the path you’ll take as you complete your novel.

Writing a memoir?

While writing a memoir is surprisingly similar to writing a novel in some respects, your memoir coach will first want to consider the scope of your story and its focus.

Memoir vs. autobiography: You see, a memoir differs from an autobiography in two ways. An autobiography considers the entirety of a person’s life—from birth up to time of writing. It will be written chronologically, start to finish, and may well include quite a bit of information about the writer’s parents and other family members.

A memoir, on the other hand, considers either a limited period in a writer’s life or focuses on a single aspect of their life over a longer period of time. Because of these limits, a memoir might be effectively written in any one of a number of non-chronological ways.

Therefore, when they are assessing your memoir concept, your writing coach will want to know the timeline you’ve planned to develop: For instance, where does your story start and stop? Does it cover just your high school years? Your first ten years of sobriety? Or the six months you were in rehab after your accident?

They’ll also be interested in understanding how you are “framing” your memoir. For example, are you focusing your story on a specific event—like the summer you were a ball girl for your local AA baseball team? Or are you writing about a trait from childhood that you overcame in adulthood—like a debilitating fear of dogs?! Your memoir’s scope and focus will determine the outline, so that’s where your coach will start their critique.

Writing a nonfiction book?

If you’re writing a nonfiction book—especially an instructional book, like a self-help or how-to title—a chapter by chapter outline is the most efficient way to convey the organization of your ideas to your nonfiction book coach. This outline will guide you in your drafting process—and it can also form the basis of a nonfiction book proposal, if you choose to create one.

Add in a sample chapter or two, and your nonfiction writing coach will be able to “hear” how you’re addressing your audience. From there, you and your coach are well on your way to tweaking what needs to be tweaked and getting a good, solid draft—or book proposal—done.

Accountability partner + cheerleader!

In addition to reading and responding to your writing, your coach will act as your accountability partner, creating a regular meeting schedule and offering assignments to keep your book moving forward. Your writing coach will also cheer you up when you feel discouraged and cheer you on as you make strides towards completing the very best book you can write!

If you need support in finding a book coach, check out this article on how to find a writing coach. Also, check out Should I Hire a Writing Coachin THE WRITER magazine. If you are considering hiring a book coach, I’d love to invite you to schedule a free 30-minute consultation. Let’s see how I can help!

Writing Coaches: An Interview

A FEW WEEKS AGO, in an interview on writing coaches, I got to discuss both the purpose of having a writing coach and the role of critical feedback in a writer’s life for The Working Writer Podcast Jamie Morris Writing Coachwith my client and good friend Tia Levings. Tia and I started working together in 2017, when she came to me looking for feedback on her current work in progress and for writing coaching, in general. Like a lot of writers, Tia was juggling quite a few projects, had too many ideas in the hopper—but didn’t know how to get her books done. (Today, Tia is the co-author of PLOTTING YOUR NOVEL WITH THE PLOT CLOCK and author of A WELL-TRAINED WIFE: My Escape from Christian Patriarchy, which will be out on St. Martin’s Press in the winter of 2024.)

Although she was a prolific writer (yay!), she had come to realize that just writing a lot wasn’t enough get her across the finish line. What Tia really needed was an objective eye to help her see what was going both right and wrong. 

A writing coach is a trusted story confidante

Offering quality feedback is a big part of my job. Good writing doesn’t happen in an echo chamber. You know how it goes–-you work hard on a piece and feel like it’s done until that edge of doubt creeps in. “Is it really any good?” “Am I missing something?” “Who can I ask to read it?” 

Why hire a writing coach? As challenging as it is to find a critique partner, feedback is important. After all, you’ve been staring at those words for so long your eyes now skip right past your errors. You are, as they say, too close to the forest to see the trees. But not all feedback is helpful and not every opinion shared will be useful. How can you know? 

There are criteria that separate good feedback from the bad. Some of this comes down to the feeling generated by that feedback. If the suggestions are personal attacks on you as a writer, then they are not constructive suggestions to make your piece stronger. A critique that rips your writing to shreds without practical ideas on how to adjust what isn’t working maybe overly negative and as such, would be of more value discarded and ignored than taken seriously. 

And what about the poor newer writer, who finds themselves on the receiving end of that?! They’ve mustered up the courage to have their work scrutinized and bam! I can’t blame them if a bad critique experience makes them want to just quit. 

Good writing coaches don’t offer feedback as a personal attack

Ironically—and unfortunately—it’s fear of this very situation that causes some writers to skip the feedback step entirely. Instead, they just put their work out there, sending it to agents or self-publishing it online, without ever having a thoughtful manuscript review. Nah, nah, nah, nah … I can’t hear you, they think, with their hands over the ears. And then when their queries go unanswered, their books don’t sell, and their reviews sit silent, they wonder why. 

When Tia invited me to be on her podcast, she focused our discussion on a writer’s need for good feedback and the role coaches play in that process. Tia describes a “working writer” as one who takes their craft and effort seriously. While hobbies are great, her show draws a distinction between writing as an occasional interest and writing as a serious pursuit. 

I bet there are as many ways to be a working writer as there are writers. Tia has an exciting line up of guests planned, including agents, professors, novelists, editors, and yours truly, her writing coach. 

Writing coaches are part editor, part cheerleader

As I mentioned, Tia came to me as a client three years ago—after a Google search and an emotionally difficult experience with another coach before me. Like a lot of writers, she’d been working hard but in circles, not knowing what she didn’t know. 

Her previous foray into working with a coach resulted in red-pen words and tears––so not my style. As I wrote in this post about writing coaches, a coach is always on a writer’s side. A great coach will have the chops, knowledge, and experience to effectively help a writer get their books done. Part editor, part cheerleader, part story confidante, a coach is your smart, effective writing friend. 

Kudos to Tia for trying again—because once we identified where the issues were in her process, she was able to fix them and move forward with her writing career. She now has a completed memoir nearing publication, has co-authored a book on the writing craft, and has several viable fiction projects in progress. 

Tia started The Working Writer Podcast in 2020, and every episode pairs with a Companion Guide––a short ebook that further explores the topic of that week’s show. My episode airs on February 10. 

Tia’s also written a series of blog posts on the writing life. You’ll see them posted here throughout the coming months. 

In the meantime, you can listen to the podcast on Anchor and Itunes, as well as anywhere else you access podcasts. It’s also in video format on YouTube. The Companion Guide for my episode is called Get Feedback on Your Writing, and is available on Amazon.

Writing coach

Need help with your book? I’m available for book coaching! And check out Should I Hire a Writing Coach” in THE WRITER magazine.

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