Posts Tagged ‘writing a novel’

Writing a Novel Fast(er): 10 Tips!

May 12, 2023

10 Tips for Writing a Novel Fast(er)

Writing a novel is a long game, no way around it. But I’ve helped many writers get to THE END, and I know there are ways to shorten the curve. I’ve listed my favorite get-your-novel-written approaches below. From first concept to first draft, these tips will help writers get their novels onto the page.

Fast(er) novel-writing strategies

1) Think “draft,” not “polished manuscript.” We read published novels and see that they proceed from cleanly edited start to well-honed end. So it’s natural to imagine our book-writing process should follow suit. We decide to create a polished novel—complete with sharp prose, fully developed characters, and beautiful images—as we go.

But it’s actually much more efficient to write our novels as a series of tdrafts. On the first pass of your story, go rough. Next draft, revise to fulfill what’s missing from the first. And save the polishing for your final version.

2) Save editing for later. Rather than stopping to tweak grammar or manage a particular sentence, keep the words flowing! It’s important to get your story DOWN, and broad strokes will help you do that. Don’t want to risk losing your story-telling traction for an errant period or awkward bit of description. Come back and fine-tune later.

3) Make margin notes while writing your novel. Rather than editing as you go, add margin notes to your document. When you revise, these will act as a sort of breadcrumb trail, reminding you what you thought might improve a scene, character, or plot thread. It’s quicker—and less of a creative interruption—to make a general note to consider later than to halt your momentum to wrangle a specific passage.

4) 1000 words a day will get you there—fast! Does 1000 words seem like a lot? Too much?! What if I remind you that 1000 words is actually only four lit-industry standard pages? Does that make it seem more doable? 1000 words a day (even with weekends off), will net you a complete draft fast!

Map it out to write your novel faster

5) Outline your novel. Know where you’re taking your characters before you pack their bags and hit the draft-writing road. Just clarifying your major plot points will help. However, the more detailed your outline, the more quickly you’ll be able to complete your initial draft.

Some writers fear outlining will make their story feel contrived. My work with novelists has shown otherwise. The outlining process can be just as creative and deep as any other aspect of writing your novel.

5a) “I’m a pantser,” you say? Okay! Go ahead; pants your way through your first draft. Before revising, though, outline what you have. That should help you see if you need to create better flow or more suspense or stronger character arcs.

My book, PLOTTING YOUR NOVEL WITH THE PLOT CLOCK, is a quick read and explains a basic approach to outlining your novel.

6) Hop around! Take the advice “Pick Only Ripe Apples,” from LIFE, PAINT, and PASSION, by Michele Cassou and Stewart Cubley:

To keep your process flowing, to feel the enjoyment of creation, you first need to go where it is easy. Easy means ripe. Go where you are attracted…. While you work on the part that is easy, other parts will mature in you, and they will be ready and waiting. You move step by step, from the easiest to the easiest. It is never tedious or tiring because there is no need to force anything. Depth resides more in surrendering to spontaneity than in hardworking struggle.

Apply this to writing your novel. Follow your instincts. No need to pick up where you left off. And if you’ve created an outline, you’ll never get lost in the dark woods of your story!

Set limits

7) Limit yourself to a single point of view. Sure, there are times when one point of view (POV) won’t get the job done. But a single POV story can be quite compelling—and surprisingly complex. Mystery phenom Tana French writes many of her best-selling novels from a single point of view—IN THE WOODS, for example. Her psychologically rich books have won critical and popular acclaim.

Multiple POVs require multiple character arcs—which is both complicated and time consuming. Want to fast-track your novel? Try focusing on a single POV character.

8) Write for just one hour. It can be a huge accomplishment to carve out time to write. And I’m suggesting you stop after just sixty measly minutes?

Yup. I am. Well-regarded artist Nicholas Wilton suggests we limit our creative sessions to an hour. That’s when we’re most effective, he says. I find this to be true. As I enter the second hour of painting or writing, I get circular in my thinking and tight in my expression—neither of which is conducive to making fresh and exciting work.

9) Walk daily. Many writers swear by their daily walks. Why? Walking gives us an oxygen boost. Also, a change of scenery can enliven our brains. And taking a walk can help us solve story problems. We set out for a stroll feeling stuck, only to return with the solution in hand.

10) Write your novel in November. “NaNoWriMo,” short for National Novel Writing Month, is a month-long, nationwide novel-writing fest that takes place every November! Participation is free—and knowing you’re part of a coast-to-coast cadre of novel writers will fill your tank.

For more ideas, check out these two articles: “How to Write a Novel” and “Plotting Your Novel: 5 Fabulous Tips.”

Would you like to discuss your book with a top writing coach?

I’m available to be your professional writing coach. Schedule your free consultation and check out “Should I Hire a Writing Coach” in THE WRITER magazine.

How a Book Writing Coach Critiques Your Book

April 27, 2023

Jamie Morris Writing Coach Whether your book writing coach calls it a “critique,” a “review,” or an “evaluation,” they mean the same thing. Your coach will read your work and give you their professional feedback on essential elements of your manuscript.

But wait! Does that sound scary?

For many writers, the idea of a critique—no matter what term we use to describe it—can be anxiety-producing. If you’re worried about sharing your work with a professional writing coach, here’s something to keep in mind. Your coach is not assessing your work to judge you, but to help you achieve your writing goals! As part of your book-writing team, your writing coach has only one objective—to support you.

To support you effectively, when you hire a book coach, the first thing they’ll want to do is evaluate your book-in-progress. It doesn’t matter how far along your book may be. You might only have an idea for a book. If so, that’s fine! In that case, your book coach will work with you to develop an outline or a synopsis from that initial concept. Whatever you have in hand—an idea, an outline, a partial draft, or just a few chapters—your new coach will want to get a feel for where you are in your book-writing process.

This initial critique will allow them to give you feedback on what’s working and what needs further thought. And it’s a great way to get the writing-coaching ball rolling in the right direction.

What your book writing coach looks for …

Writing a novel?

Specifically, if you’re writing a novel, your novel writing coach will probably ask you for a synopsis, a character list, a rough plot outline, and a sample chapter or two. From these materials, your coach will be able to review your story for significant story elements. They will want to know, is your pacing tight and suspenseful? Do your characters’ voices support the general tone of your story? Is your main character facing enough of a challenge to create their all-important internal arc?

You and your coach will discuss these and other aspects of your novel-writing craft after their review of your materials. From there, you’ll create a road map of the path you’ll take as you complete your novel.

Writing a memoir?

While writing a memoir is surprisingly similar to writing a novel in some respects, your memoir coach will first want to consider the scope of your story and its focus.

Memoir vs. autobiography: You see, a memoir differs from an autobiography in two ways. An autobiography considers the entirety of a person’s life—from birth up to time of writing. It will be written chronologically, start to finish, and may well include quite a bit of information about the writer’s parents and other family members.

A memoir, on the other hand, considers either a limited period in a writer’s life or focuses on a single aspect of their life over a longer period of time. Because of these limits, a memoir might be effectively written in any one of a number of non-chronological ways.

Therefore, when they are assessing your memoir concept, your writing coach will want to know the timeline you’ve planned to develop: For instance, where does your story start and stop? Does it cover just your high school years? Your first ten years of sobriety? Or the six months you were in rehab after your accident?

They’ll also be interested in understanding how you are “framing” your memoir. For example, are you focusing your story on a specific event—like the summer you were a ball girl for your local AA baseball team? Or are you writing about a trait from childhood that you overcame in adulthood—like a debilitating fear of dogs?! Your memoir’s scope and focus will determine the outline, so that’s where your coach will start their critique.

Writing a nonfiction book?

If you’re writing a nonfiction book—especially an instructional book, like a self-help or how-to title—a chapter by chapter outline is the most efficient way to convey the organization of your ideas to your nonfiction book coach. This outline will guide you in your drafting process—and it can also form the basis of a nonfiction book proposal, if you choose to create one.

Add in a sample chapter or two, and your nonfiction writing coach will be able to “hear” how you’re addressing your audience. From there, you and your coach are well on your way to tweaking what needs to be tweaked and getting a good, solid draft—or book proposal—done.

Accountability partner + cheerleader!

In addition to reading and responding to your writing, your coach will act as your accountability partner, creating a regular meeting schedule and offering assignments to keep your book moving forward. Your writing coach will also cheer you up when you feel discouraged and cheer you on as you make strides towards completing the very best book you can write!

If you need support in finding a book coach, check out this article on how to find a writing coach. Also, check out “Should I Hire a Writing Coach” in THE WRITER magazine. If you are considering hiring a book coach, I’d love to invite you to schedule a free writing consultation. Let’s see how I can help!

Writing a Middle Grade Novel: 10 Tips

August 12, 2022

Writing a Middle Grade novel can be an exciting adventure! But, like any adventure, it’s best to know the ground rules before you start. As a book coach, I’ve steered many Middle Grade authors through the writing process. Here are ten of the basics to keep your book squarely on the road to publication.

Word counts for Middle Grade (MG) novels

1) Know the ages of your protagonist and your audience: Middle Grade fiction is defined by the age of its protagonist and its intended audience. Your main character should be no older than twelve. They could even be as young as six or seven, if you’re writing an Early Reader. (An Early Reader book is written for new readers. It’s intended to create a bridge between picture books and chapter books.)

Since kids typically read up in age, not down, you’re writing for an audience of children between the ages of eight and twelve—with an Early Reader audience as young as five!

2) Book lengths: Your MG story is likely to be fairly short, as far as novels go. Depending on the intended age group of your readers, your final manuscript might be as short as 10,000 words or as long as 50,000 words. If you’re writing fantasy/adventure, especially for an older MG audience, you might need 50,000 to 100,000 words—or more!

We can look to the Harry Potter fantasy series as an example of an author expanding word counts to suit her maturing audience. The first book in the series, THE PHILOSOPHER’S STONE, is 76,944 words. In that book, Harry and crew are ten years old—smack dab in the middle of MG audience age.

However, as Harry and his readers grow up, the word count of the books increase. This trend continues until, having reached the far end of the kid-lit spectrum with the final book, the Young Adult title HARRY POTTER AND THE DEATHLY HOLLOWS, we’re looking at 198,227 words.

How long should your Middle Grade chapters be?

3) Chapter lengths: Early Readers don’t really have chapters. But “chapter books,” the next level for Middle Grade readers,do. Since chapter books come in at the low end of the total word-count estimate for MG books, their chapters are proportionately short at 500-750 words. Middle Grade books, meant for more experienced readers than the chapter book audience, can have chapters of up to 2000 words—or even more, if needed.

4) Sentence and paragraph lengths and complexity: Allow your reader to enjoy the story, rather then trying to educate them with too heavy a hand. To that end, keep your sentences straightforward and fairly simple. Paragraphs, too, should be short and easy to digest. Also, no need to send your reader to a dictionary often, either. Write in language they can easily understand.

Age-appropriate content when writing a Middle Grade novel

5) Focus on the story: Focus your writing on the story and action, rather than on description or psychological insights about the characters.

6) Think G or PG rating! While your middle-grade age characters may undergo significant difficulties, convey these in a way that doesn’t dwell on the darkness, but, rather, looks to solutions. Avoid swear words and graphic discussions of sex.

7) Lighten up on emotions and psychology: Let your young characters grow and change through their actions and reactions to story events. Don’t belabor psychological insights or character introspection in the process.

8) Third person POV: Third-person point of view allows a bit of distance between character and reader. Third person makes it feel safer to read about even tough circumstances. Your MG reader will, consciously or unconsciously appreciate that distance.

9) Get good readers: Teachers and librarians of your intended audience make great beta readers! They know what’s engaging to the kids in their care. They can also help you step carefully where needed.

10) Read 200 Middle Grade novels: Those same teachers and librarians are also familiar with what’s being published currently. (In other words, what types of stories you should be guided by). Get lists of books from them and from around the internet. Read 200 recent (last three years-ish) Middle Grade novels before committing to your own story. You will be vastly more informed about what’s selling now.

Further, you’ll have developed an inner sense for the rhythms of the stories being published for your young audience. This makes your success in the field much more likely.

Good news for a Middle Grade author

MIDDLE GRADE NOVELIST GAIL SHEPHERD has great news! She writes, Jamie, I wanted to let you know I just signed a contract with Penguin Young Readers Group/Kathy Dawson Books, for a two-book deal. Kathy made the offer based on SOUTH BY SOUTHEAST, the book you were so helpful with in workshops. I’m thrilled of course and wanted to thank you!

Shepherd is also the author of Middle Grade novel THE TRUE HISTORY OF LYNDIE B. HAWKINS.

Ready to write that Middle Grade novel? As a professional writing coach, I can help!

If you have questions about writing your Middle Grade novel, a free chat with me might get you on the right path. Schedule that free consultation. And also check out THE WRITER mag article “Should I Hire a Writing Coach.”

Previous 1 2