IF REVISION* WERE A DOG, it would wear a hat and be foolish in public, because revision would want to get the most DOG out of each moment that it could. If revision were a fish, it would be out of water and dragging its school behind. If revision were an interior decorating scheme, it would cry out for spangle-y pinks and purples—unless it wanted the heat of reds and oranges—unless it wanted the cool underwater of blues and greens.
Sometimes art is the answer—but sometimes it’s revision. Sometimes it’s about seeing your work-in-progress as so many puzzle pieces, which you have to turn and match and try to fit. But sometimes it’s about diving deeper.
Sometimes revision wants to be smacked around, which can be a little scary—unless you have a safe word, and sometimes revision does have a safe word, in which case, it’s okay to play rough, which, sometimes, revision likes.
Revision’s about re-visioning, it’s about looking at what you’ve already done and asking what else you can do. But revision’s not “editing.” If writing were an injury, revision would be surgery, not massage.
Revision is a bit of a shepherd’s crook, tugging you off the stage when you think you’re ready to be out there. Revision knows when you haven’t fully paid your dues. Revision wants you to work harder—it’s stubborn like that. But revision will reward your work with a bag of gold so full you’ll be able to scatter coins far and wide, feeding the entire populace of your life—once you’ve done what revision wants you to do.
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* The art illustrating this post is a before-and-after of a piece I created in one of my art journals. It’s easy, often, to get stalled at an early stage of a piece of art or a piece of writing. Difficult, sometimes, to push through to the next level. Risky, always, to do so.
I’m grateful to Tammy Garcia—creator of Daisy Yellow Art and the extraordinary Daisy Yellow Facebook group—for her continuing inspiration. The lessons I’ve learned from Tammy and crew have helped me be more courageous on the page.